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Fil d'Ariane

  1. Accueil
  2. Most Of What Follows Is True : Places Imagined And Real

Most of what follows is true : places imagined and real

Available Formats:

Details:

  • Auteur: Crummey, Michael
    Contributor:

    Canadian Literature Centre

    Résumé:

    Most of What Follows Is True is an examination of the complex relationship between fact and fiction, between the "real world" and the stories we tell to explain the world to ourselves. Drawing on his own experience appropriating historical characters to fictional ends, Michael Crummey brings forward important questions about how writers use history and real-life figures to animate fictional stories. Is there a limit to the liberties a writer can take with the real world? Is there a point at which a fictionalization of history becomes a falsification of history? What responsibilities do writers have to their readers, and to the historical and cultural materials they exploit as sources? Crummey offers thoughtful, witty views on the deep and timely conversation around appropriation.

    Genre: Canadian nonfiction, Literary arts
    Original Publisher: Edmonton, Alberta , The University of Alberta Press
    Language(s): English
    ISBN:

    9781772124637

    ,

    1772124656

    ,

    9781772124651

    ,

    1772124648

    ,

    9781772124644

Details

DC Contributor

Canadian Literature Centre

Abstract

Most of What Follows Is True is an examination of the complex relationship between fact and fiction, between the "real world" and the stories we tell to explain the world to ourselves. Drawing on his own experience appropriating historical characters to fictional ends, Michael Crummey brings forward important questions about how writers use history and real-life figures to animate fictional stories. Is there a limit to the liberties a writer can take with the real world? Is there a point at which a fictionalization of history becomes a falsification of history? What responsibilities do writers have to their readers, and to the historical and cultural materials they exploit as sources? Crummey offers thoughtful, witty views on the deep and timely conversation around appropriation.

Genre
Canadian nonfiction
Literary arts
Publisher (Source)

Edmonton, Alberta

The University of Alberta Press

Non spécifié

Record

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