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Fil d'Ariane

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  2. Latin American Cinemas : Local Views And Transnational Connections

Latin American cinemas : local views and transnational connections

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Details:

  • Contributor:

    Bermúdez Barrios, Nayibe

    Résumé:

    During the past twenty years, Latin American cinema has experienced an enormous upsurge, prompting film critics and scholars to hail the onset of a new era. What this signals, more than thriving financial or production infrastructures, is a renovated cinematic vision connected more closely to everyday experience and social and cultural concerns. The films analyzed in this new collection reflect and examine contemporary lives in their diversity and singularity, through their focus on identity politics, sexuality, the body, the family, and/or community. Drawing especially on Jean-Luc Nancyʹs notion of inoperative community and Enrique Dussel's critique of modernity, the essays here weave together a progression that stresses the breakdown of the nation-state in Latin America and the search for new communal settings. The nation-state's breakdown is linked to modernity's homogenizing project and its concomitant hierarchies that, in seeking to impose order and progress, have alienated those who do not conform to conventional norms. In response, Nancy offers the concept of inoperative community, which questions current forms of operative' communities that do not allow for individuation, and implies instead the recognition of plurality and singularity and replacement of hierarchies by horizontal and transversal connections. -- Back cover.

    Contents:
    • Introduction
    • Part I. Crisis of the Nation-State and Desire for Community. 1. National Belonging in Juan José Campanella's Luna de Avellaneda / Rebecca L. Lee
    • -2. From National Allegory to Autobiography: Un-Pleasure and Other Family Pathologies in Two Films by Lucrecia Martel / Paola Arboleda Ríos
    • -3. Bodily Representations: Disease and Rape in Francisco Lombardi's Ojos que no ven / Elizabeth Montes Garcés and Myriam Osorio
    • -4. Films by Day and Films by Night in São Paulo / David W. Foster
    • Part II. Sexuality, Rape and Representation. 1. Bodies So Close, and Yet So Far: Seeing Julián Hernandez's El cielo dividido through Gilles Deleuze's Film Theory / Gerard Dapena
    • -2. Myth and the Monster of Intersex: Narrative Strategies of Otherness in Lucía Puenzo's XXY / Charlotte E. Gleghorn
    • -3. Watching Rape in Mexican Cinema / Isabel Arredondo
    • Part III. Visions of the Transnational. 1. A Shamanic Transmodernity: Juan Mora Catlett's Eréndira Ikikunari / Keith John Richards
    • -2. We Are Equal: Women and Video in Zapatista Chiapas / Elissa J. Rashkin
    • -3. Sexploitation, Space, and Lesbian Representation in Armando Bo's Fuego / Nayibe Bermúdez Barrios
    • -4. At the Transnational Crossroads: Colombian Cinema and Its Search for a Film Industry / Juana Suárez.
    Genre: Essays, Film, television and performing arts
    Original Publisher: Calgary, Alberta , University of Calgary Press
    Language(s): English, French, Spanish; Castilian
    ISBN:

    9781552385142

    ,

    1552385140

Details

DC Contributor

Bermúdez Barrios, Nayibe

Abstract

During the past twenty years, Latin American cinema has experienced an enormous upsurge, prompting film critics and scholars to hail the onset of a new era. What this signals, more than thriving financial or production infrastructures, is a renovated cinematic vision connected more closely to everyday experience and social and cultural concerns. The films analyzed in this new collection reflect and examine contemporary lives in their diversity and singularity, through their focus on identity politics, sexuality, the body, the family, and/or community. Drawing especially on Jean-Luc Nancyʹs notion of inoperative community and Enrique Dussel's critique of modernity, the essays here weave together a progression that stresses the breakdown of the nation-state in Latin America and the search for new communal settings. The nation-state's breakdown is linked to modernity's homogenizing project and its concomitant hierarchies that, in seeking to impose order and progress, have alienated those who do not conform to conventional norms. In response, Nancy offers the concept of inoperative community, which questions current forms of operative' communities that do not allow for individuation, and implies instead the recognition of plurality and singularity and replacement of hierarchies by horizontal and transversal connections. -- Back cover.

Genre
Essays
Film, television and performing arts
Publisher (Source)

Calgary, Alberta

University of Calgary Press

Non spécifié

Record

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