Abstract
Home is like “a memory of a lost photograph,” elusive but vivid. A place of tenuous security, “one claw on the screen” can threaten the entire structure. Joanne Epp, in her first collection of poetry, Eigenheim, shapes and reshapes the peculiar characteristics of one’s own idea of home. Without defining the precise dimensions, there is room enough to house the essentials. Examining death and birth, loss and love, deep searching and unquenchable longing, Epp reaches back to her rural Mennonite roots while restlessly exploring what lies just beyond the sun’s reach.