Exovede In The Darkroom : The Films Of Rhayne Vermette
Exovede in the darkroom : the films of Rhayne Vermette
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Contributor:
Broomer, Stephen
,
Bindi, Irene
Résumé:
The very first collection celebrating her work, Exovede in the Darkroom is a series of responses, critical and poetic, to Métis experimental filmmaker Rhayne Vermette's visually explosive and materially intimate practice. It was while studying architecture that Vermette, primarily self-taught, fell into image making and storytelling. Her films are opulent collages of fiction, animation, documentary, reenactments, and divine interruption. Invoking Vermette's two central influences--Louis Riel's "exovede" as outsider, and Carlo Mollino's "darkroom" as the psychic site of secluded experiment--the collection explores Vermette's powerful shorts that engage a number of 16mm collage practices, as well as her astounding feature film Ste. Anne, a work that mesmerized the film world internationally with the visually resplendent story of a return. Contributors include Jennifer Smith, Claudia Sicondolfo, Suzanne Morrissette, Joshua Minsoo Kim, José Sarmiento Hinojosa, Sky Hopinka, Gwynne Fulton, Janet Blatter, Lawrence Bird, Irene Bindi, and Stephen Broomer
Contents:
Editors' introductions : Everything is permissible as long as it is fantastic / Stephen Broomer ; Strange sunders / Irene Bindi
Lost thoughts on Ste. Anne / Sky Hopinka
An impossible being. Rhayne Vermette discusses Ste. Anne / Joshua Minsoo Kim
Burning down the house: architectures of image in the short films of Rhayne Vermette / Lawrence Bird
Ste. Anne: a prescribed burn / Suzanne Morrissette
Ste. Anne: rematriating land & image / Gwynne Fulton
Domus and her siblings / Irene Bindi
Domus and relativized space time / Janet Blatter
Spectres of the ruin/Imminence of disaster: on Rhayne Vermette's Ste. Anne / José Sarmiento Hinojosa
Wrinkling through time: tricks, tesseracts and the celluloid Vermettes / Claudia Sicondolfo
The very first collection celebrating her work, Exovede in the Darkroom is a series of responses, critical and poetic, to Métis experimental filmmaker Rhayne Vermette's visually explosive and materially intimate practice. It was while studying architecture that Vermette, primarily self-taught, fell into image making and storytelling. Her films are opulent collages of fiction, animation, documentary, reenactments, and divine interruption. Invoking Vermette's two central influences--Louis Riel's "exovede" as outsider, and Carlo Mollino's "darkroom" as the psychic site of secluded experiment--the collection explores Vermette's powerful shorts that engage a number of 16mm collage practices, as well as her astounding feature film Ste. Anne, a work that mesmerized the film world internationally with the visually resplendent story of a return. Contributors include Jennifer Smith, Claudia Sicondolfo, Suzanne Morrissette, Joshua Minsoo Kim, José Sarmiento Hinojosa, Sky Hopinka, Gwynne Fulton, Janet Blatter, Lawrence Bird, Irene Bindi, and Stephen Broomer