Abstract
A wealthy, charismatic, and controversial "benefactress of art," Drewe Hildebrand disappears from her estate on the Hudson River, seemingly abducted in the night. Her young niece, Marta, found in a desolate wooded area close by, is too traumatized to describe the abductors. A provocative exhibit of avant-garde "bio-art" that includes a blood mask of Drewe Hildebrand is disrupted by protestors. In this, her third suspense novel, Lauren Kelly explores the startling world of "bio-artists" and their admirers, examining the intermingling of private, inscrutable motives with public masks of dominance and power; the ways in which spiritual yearnings may be transformed into worldly, erotic appetites that consume the innocent.