National Network for Equitable Library Service

Professor Radnick van Erckelems and Caroline have a marriage of convenience.

In this post-lyrical era, poems can be stories, or they can just as easily be exuberant laughter set to words, an experiment in language, or an incidental collation of plays on a Scrabble board.the

SHORTLISTED FOR THE 2013 OTTAWA BOOK AWARDSHORTLISTED FOR THE 2013 ARCHIBALD LAMPMAN AWARDSHORTLISTED FOR THE 2013 RELIT AWARDConflict interweaves ghosts, bad communication, the uncanny and the arc

Two's company, three's a crowd—and sometimes it’s more than that.In The Third Person, a collection of uncanny short stories by Emily Anglin, a sequence of tense professional and personal

A wealthy young French comptesse, fearful of the man she is expected to marry, embarks on a dangerous masquerade before learning the truth.

Virtualis: Topologies of the Unreal is a poetic investigation of melancholia and the baroque.

In To Love the Coming End, a disillusioned author obsessed with natural disasters and 'the curse of 11' reflects on their own personal earthquake: the loss of a loved one.

Buoyancy Control, the latest collection of poems from Vancouverite Adrienne Gruber, explores themes of sexuality, sexual identity, and queerness, while confronting the feelings of loss and longing

Cassidy went after power and money and got them both.

From award-winning author Alisha Piercy comes Bunny and Shark, a middle-aged coming-of-age story-cum-shark-adventure that reveals and celebrates women's power in the trenches.

From celebrated Quebecois author Bertrand Laverdure comes Universal Bureau of Copyrights , a bold, strange and addictive story that envisions a world where free will doesn't exist, and an eni

Set in the near future in the mountainous and fielded cusp between BC and Alberta, The Plotline Bomber of Innisfree by Josh Massey is the story of Jeffery Inkster, an ex-hipster-turned elk farmer.

Polyamorous Love Song, a novel of intertwined narratives concerning the relationship between artists and the world.

Susan Trent is in her sixties. She ought to be well satisfied with her lot. Instead she lives in terror of her semi-employed, abusive, middle-aged son.

The first word in this new collection by Phil Hall is "raw" and the last word is "blurtip." Between these, many nouns cry faith within a hook-less framework that sings in chorus