National Network for Equitable Library Service

Those Who Can't, Teach turns the spotlight on the madcap lives of teachers and students in a typical secondary school in Singapore.

Acclaimed for his gentle, complex characterizations, Samuel D. Hunter's bighearted and funny plays explore the quiet desperation running through many American lives.

In 2017, when the public agency Waterfront Toronto decided to put up a parcel of land for development, Sidewalk Labs, a subsidiary of Google's Alphabet Inc., swept in with a proposal to create

"The single most daring thing I've seen in a theater in a long time." - Wesley Morris, New York Times.

A stunning collection of plays from Pulitzer Prize-winning playwright Suzan-Lori Parks that captures the societal rupture of the early days of the COVID-19 pandemic.

A powerful study of infidelity and interwoven lives, filmed as the award-winning Lantana. A woman disappears. Four marriages become entangled in a web of love, deceit, sex and death.

What do Physics, three bears and a stroke have in common?

Winner of the 2003 Pulitzer Prize for Drama. —There are many kinds of light. The light of fires. The light of stars. The light that reflects off rivers. Light that penetrates through cracks.

Speed-the-Plow is an exhilaratingly sharp, comical, disturbing play about the power of money and sex in Hollywood, and how they corrupt two movie producers.

"As ever, Hudes's writing is poetic but wry, full of swagger and poetry. There's live music, but oh, how the lines sing too." —David Cote, Time Out New York. "Ms.

"Revelatory...As intimate and immediate as a whispered secret.

No stranger to dramas both heartfelt and heart-wrenching, Pulitzer Prize-winning playwright Lynn Nottage has written one of her most exquisitely devastating tragedies to date.

"One of the best American plays of the past quarter century." – Terry Teachout, Wall Street Journal – "An immensely entertaining pop artifact.

"One of the most essential artists produced by the twentieth century. Pinter's work gets under our skin more than that of any living playwright." - New York Times.

"Guirgis, like other storytellers who explore the sacred and profane, is most interested in how grace transforms us." —The New Yorker.