Abstract
Ranging from the Persian Gulf to the American South, from ancient Greece to pre-Islamic Arabia, Ali Eteraz's stories observe the clash of civilizations through the surrealist's monocle: lovers playing with Koranic numerology; the sorrows of the Minotaur; the innocence of a genie; a woman obsessed with wine and virgins; brothers caught in a national security dragnet. Sensual, fabulist, mystical, gothic, the stories in Falsipedies & Fibsiennes search for love and solidarity within madness and oppression.