Abstract
Lila is dead. And the likely suspects are all men: her flash-in-the-pan literary husband, a washed up golf pro turned criminal with a cocaine habit, and two small-time thugs looking for the perfect score. As a crime novel for a new age, this is sex, drugs, and a story that unfolds as a map of bad intentions. In One Hit Wonders, Patrick Warner weaves an energetic tale that is part caper and partmurdermystery—relentlessly satiric, brutally funny, and obsessively readable