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Zom-fam

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  • Author: La Mackerel, Kama
    Summary:

    In their debut poetry collection, Kama La Mackerel mythologizes a queer/trans narrative of and for their home island, Mauritius. Composed of expansive lyric poems, ZOM-FAM (meaning “man-woman” or “transgender” in Mauritian Kreol) is a voyage into the coming of age of a gender-creative child growing up in the 80s and 90s on the plantation island, as they seek vocabularies for loving and honouring their queer/trans self amidst the legacy of colonial silences. Multiply voiced and imbued with complex storytelling, ZOM-FAM showcases a fluid narrative that summons ancestral voices, femme tongues, broken colonial languages, and a tender queer subjectivity, all of which grapple with the legacy of plantation servitude. Emerging from a creative process in spoken word and live performance, these poems transform the page into a stage where the queer femme body is written and mapped onto the colonial space of the home/island. Interwoven with Kreol, ZOM-FAM showcases a unique lyrical sensibility, a musicality influenced by the both unforgiving and soothing rhythms of the ocean, where the poet enunciates the complexity of their displaced Indo-African roots, “the lineage of silence / that we weave in-between our intimacies.” Striking, vivid, tender, intimate, and political, ZOM-FAM is a beautifully wrought journey that articulates a contemporary decolonial poetics and offers a roadmap for colonized and displaced queer and trans voices to (re)imagine themselves into being.

    Genre: Canadian poetry
    Original Publisher: Montreal, Quebec , Metonymy Press
    Language(s): English
    ISBN:

    9781999058869

    ,

    1999058860

Details

Abstract

In their debut poetry collection, Kama La Mackerel mythologizes a queer/trans narrative of and for their home island, Mauritius. Composed of expansive lyric poems, ZOM-FAM (meaning “man-woman” or “transgender” in Mauritian Kreol) is a voyage into the coming of age of a gender-creative child growing up in the 80s and 90s on the plantation island, as they seek vocabularies for loving and honouring their queer/trans self amidst the legacy of colonial silences. Multiply voiced and imbued with complex storytelling, ZOM-FAM showcases a fluid narrative that summons ancestral voices, femme tongues, broken colonial languages, and a tender queer subjectivity, all of which grapple with the legacy of plantation servitude. Emerging from a creative process in spoken word and live performance, these poems transform the page into a stage where the queer femme body is written and mapped onto the colonial space of the home/island. Interwoven with Kreol, ZOM-FAM showcases a unique lyrical sensibility, a musicality influenced by the both unforgiving and soothing rhythms of the ocean, where the poet enunciates the complexity of their displaced Indo-African roots, “the lineage of silence / that we weave in-between our intimacies.” Striking, vivid, tender, intimate, and political, ZOM-FAM is a beautifully wrought journey that articulates a contemporary decolonial poetics and offers a roadmap for colonized and displaced queer and trans voices to (re)imagine themselves into being.

Genre
Canadian poetry
Publisher (Source)

Montreal, Quebec

Metonymy Press

Not specified

Record

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