National Network for Equitable Library Service

By turns funny, frank, mysterious, and heartbreaking, Standing in the Flock of Connections, Heather Cadsby's fifth collection of poetry, is one hundred proof associative thought.

Anxious, twitchy, urgent poems-a collection that's at once sardonic and "chronically wishful."

Inviting, human, capacious poems that grapple with ideas while also lightly grieving our capacity for ruin.

Nights on Prose Mountain gathers all of beloved writer bpNichol's published fiction.

In Obits. a speaker tries and fails to write obituaries for those whose memorials are missing, those who are represented only as statistics.

Modernist poet-painters Mina Loy and Baroness Elsa von Freytag-Loringhoven had many friends in common (including Djuna Barnes and Marcel Duchamp), yet there is no record that the two ever met.

Think Kierkegaard in a spacesuit, Kubrik in a Left Bank café.Like the neutrino observatory of its title, Midday at the Super-Kamiokande seeks "glimpses of the obscure" to carve out meani

Think Kierkegaard in a spacesuit, Kubrik in a Left Bank café.

The poems of Anatomic have emerged from biomonitoring and microbiome testing on the author's body to examine the way the outside writes the inside, whether we like it or not.

First published in 1974, Mourir à Scoudouc emerged out of a period of cultural awakening.

The word "magyarAzni" (pronounced MAUDE-yar-az-knee) means "to explain" in Hungarian, but translates literally as "make it Hungarian." This faux-Hungarian language primer, written in direct address

Dulge, rageous, couth, chalant-we think of prefixes as a few letters that change a word, but what if a word is lost without one' Each prose poem in Whelmed features a word that has been unhing

bronchia think form a bombsight think periosteum singing particle falconry workpiece two lowcut hills seeking what stone is for body is herd alliterations Night & Ox is a long poem working its

What do you get when you cross Lao Tzu and an application for a university teaching application' What do you get when you give W. G.

Digsite draws on Nicholson's experience working in the Alberta oil sands and arboreal forest, taking an archaeological lens to its subject, and in this way, reimagines tens of thousands of yea