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First used to describe the weariness the public felt toward media portrayals of societal crises, the term compassion fatigue has been taken up by health professionals to name—along with burnout, vi

The Great War: From Memory to History offers a new look at the multiple ways the Great War has been remembered and commemorated through the twentieth century and into the twenty-first.

Catching the Torch examines contemporary novels and plays written about Canada's participation in World War I.

This book provides an annotated survey and analysis of the sociological literature concerning three sectarian religious groups: the highly varied Mennonites, the communal Hutterites and the semi-co

Nelson Ball has had a significant impact on contemporary Canadian poetry not only as a poet but as an editor, with his Weed/Flower Press in the 1960s and 70s.

The Waterloo Mennonites is truly a communal book: the substance treats the communal aspect of the Mennonite community in all its complexity, while the book itself came about through communal effort

A transcription of Lucy Peel’s wonderfully readable journal was recently discovered in her descendent’s house in Norwich, England.

Some of the roots of the characteristic negative attitude to homosexuality can be found in Peter Damian’s appeal to Pope Leo IX.

The text discusses the legacy of the Cold War in Canada by looking at Prime Minister Diefenbaker’s “Diefenbunkers”—eleven nuclear fallout shelters constructed in secret in the late 1950s to protect

This collection of essays studies the cultural and literary contexts of narrative texts produced in English Canada over the last forty years.

Franz Werfel was born in Prague in 1890 and died in Beverly Hills in 1945, a popular and artistic success in Europe and America.

In the spring and summer of 1938, a third-generation German Canadian took an unforgettable road trip in Europe.

Women, Reading, Kroetsch: Telling the Difference is a book of both practical and theoretical criticism.

Jean-Luc Godard and Anne-Marie Miéville are among the most important postwar filmmakers; they have worked across forms, across media, and across countries.

Described by some as a “necropolis for babies,” the province of Quebec in the early twentieth century recorded infant mortality rates, particularly among French-speaking Catholics, that were among