National Network for Equitable Library Service

Winner of the 2017 Toronto Theatre Critics Award for Best New Canadian Play. Winner of three Dora Mavor Moore Awards. Stage Award for Best Performance, 2017 Edinburgh Festival Fringe.

"Now entering his sixty-seventh year, Chris McCool can confidently call himself a member of the Happy Club: he has an attractive and exceedingly accommodating Croatian girlfriend and has been

Winner of the W.O. Mitchell Book Prize. Winner of the 2012 Relit Award for Best Novel. Longlisted for the Scotiabank Giller Prize. Shortlisted for the Ferro-Grumley Award for LGBT Fiction.

In 1787 Lieutenant Daniel Rooke sets sail from Portsmouth with the First Fleet and its cargo of convicts, destined for New South Wales.

Makedde Vanderwall is a psycho-magnet. A woman who has a habit of attracting the wrong kind of man.

Nominated for a 2005 Governor General's Award Alice Charles has just moved to Montreal to go to McGill University. She’s never had a boyfriend and doesn’t know how to do laundry.

Her hands lay inert and upturned on her lap – probably stunned, she thinks, by the hideousness of the skirt underneath them.

On a small coral cay on the Great Barrier Reef two communities come together in an uneasy alliance: a tourist resort and a scientific research station.

Steve Reinke is one of the most intriguing artists we've got; his scope is enormous, his imagination absolutely singular.

David spends his days as an underworked copy writer for an ad agency and his nights lost in old war movies, fantasizing about his strange teenage cousin and revisiting his father's suicide.

Brian Lembeck – ‘Pulpy’ – takes life slow and steady. He likes his office job, and he likes his gentle, figurine-collecting boss, Al.

Most of the things Pillow really liked to do were obviously morally wrong. He wasn't an idiot; clearly it was wrong to punch people in the face for money.

Can a breakup break you apart? In Self-Titled, Geoffrey Brown stares into a mirror and writes what he sees, what he thinks, what he feels. The result?

Since 2010, Toronto's headlines have been consumed by the outrageous personal foibles and government-slashing, anti-urbanist policies of Mayor Rob Ford.

City Hall proclaimed 2006 the Year of Creativity. ‘Live With Culture’ banners flap over the city. And across the city, donors are ponying up millions for the ROM and the AGO.