National Network for Equitable Library Service

Written in 1968 and revised in 1972, Awopbopaloobop Alopbamboom was the first book to celebrate the language and the primal essence of rock 'n' roll. But it was much more than that. It was a cogent history of an unruly era, from the rise of Bill Haley to the death of Jimi Hendrix. And while telling outrageous tales, vividly describing the music, and cutting through the hype, Nik Cohn would engender a new literary form: rock criticism. In his book's wake, rock criticism has turned into a veritable industry, and the world of music has never been the same.

For nearly sixty years, Bud Furillo wrote and talked about sports in Southern California. For fifteen of those years, he authored a popular column for the Los Angeles Herald Examiner called The Steam Room, which gave him the nickname that lasted him for the rest of his life: "the Steamer." As a reporter, columnist, editor, and pioneer of sports talk radio, the Steamer dished out insight and understanding to Southern California sports fans while Los Angeles grew into a sports empire. On his watch, L.A.

Chronicling the intertwined lives of members of core grunge bands, Justin Henderson reveals the origins and inspirations of the grunge music movement. Illustrating the dramatic and emotional tensions that arose between the various players, he describes the collisions between personalities and egos, artists and corporations, suburbs and cities, obscurity and fame. The book is also a unique guide to the key locations in the grunge story, exploring the cafes, apartments, and studios where members of Nirvana, Pearl Jam, Soundgarden, Mudhoney, and Alice in Chains practiced and played.

In a blend of economic, social, and political history, P Le Blanc shows how important labor issues have been, and continue to be, in the forging of our nation's history. Within a broad analytical framework, he highlights issues of class, gender, race, and ethnicity, and includes the views of key figures of United States labor.

Most people outside of the art world view art as something that is foreign to their experiences and everyday lives. A People's Art History of the United States places art history squarely in the rough-and-tumble of politics, social struggles, and the fight for justice from the colonial era through the present day.

In this long-awaited book from the rising superstar of sportswriting, whose blog "The Edge of Sports" is read each week by thousands of people across the country, Dave Zirin offers a riotously entertaining chronicle of larger-than-life sporting characters and dramatic contests and what amounts to an alternative history of the United States as seen through the games its people played. Through Zirin's eyes, sports are never mere games, but a reflection of-and spur toward-the political conflicts that shape American society.

Gutenberg's invention of movable type in the fifteenth century introduced an era of mass communication that permanently altered the structure of society. While publishing has been buffeted by persistent upheaval and transformation ever since, the current combination of technological developments, market pressures, and changing reading habits has led to an unprecedented paradigm shift in the world of books.

Lev Davidovich Trotsky burst onto the world stage in November 1917 as co-leader of a Marxist Revolution seizing power in Russia. It made him one of the most recognized personalities of the Twentieth Century, a global icon of radical change. Yet just months earlier, this same Lev Trotsky was a nobody, a refugee expelled from Europe, writing obscure pamphlets and speeches, barely noticed outside a small circle of fellow travelers. Where had he come from to topple Russia and change the world' Where else' New York City. Between January and March 1917, Trotsky found refuge in the United States.

"Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture' 'Curate' is now a buzzword applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists.

Eric Hobsbawm, who passed away in 2012, was one of the most brilliant and original historians of our age. Through his work, he observed the great twentieth-century confrontation between bourgeois fin de siEcle culture and myriad new movements and ideologies, from communism and extreme nationalism to Dadaism to the emergence of information technology. In Fractured Times, Hobsbawm, with characteristic verve, unpacks a century of cultural fragmentation.