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Edited by master storyteller Dede Crane and award-winning author Lisa Moore, both of whom contribute their own stories, Great Expectations is a must-have collection for parents and parents-to-be.

Vital, funny, moving and assured, La Guerre, Yes Sir! is a surrealist fable set in rural Quebec during WWI and one of the major achievements in Canadian fiction. Canadian Literature greeted its first appearance in these terms: It is the French-Canadian writer Roch Carrier who comes closest to the significance, power and artistry of Faulkner at his best . . . . He might well be able to do for French Canada what Faulkner did for the American South.

A New York Times Editors' Choice and an Oprah's Book Club Summer Reading Pick In this brilliant new collection, Scotiabank Giller Prize and Rogers Writers' Trust Fiction Prize nominee Alix Ohlin skillfully displays the full range of human emotions through the subtly powerful dramas of everyday life. In "You Are What You Like" a young couple finds their life derailed by the arrival of a hard-partying old friend. In "Robbing the Cradle" Lisette does everything she can to give her husband a baby, committing an act of desperation.

The arrival, one sunny morning, of pale green wall-to-wall carpeting for the living room is the crowning jewel in Karen Whitney's long-anticipated transformation of her house into a beautiful home, renovated to the exacting standards of her own impeccable taste. The banal finality of this event triggers an introspective voyage through the events of her life and how she became who she is: wife of business executive Rick, citizen of the suburb of Rowanwood, mother to two accomplished daughters in university.

Butterfly Tears is a collection of short fiction that depicts the experiences of Chinese immigrant women facing the challenges of life in a new country. The stories are set in different parts of China, Canada, and the United States and examine Chinese women’s cross-cultural experiences in North America as well as women’s issues and political discrimination in China. The stories, or parts of stories, set in China give the reader interesting glimpses into events such as the Cultural Revolution and Mao’s death.

The Long March Home tells the story of three generations of women. Agnes, a young Canadian goes to China as a missionary, and falls in love with a Chinese medical student. Growing anti-western sentiment forces her to return home to Nova Scotia, where she discovers she is pregnant. Meihua, their American-born daughter, travels to China in search of the father she never met and winds up marrying a Chinese man, but the Cultural Revolution tears their lives apart.

All My Fallen Angelas is a collection of stories inspired by the lives of Italian-Canadian women living in Toronto from the 1960s to the present. The stories document their strength and resilience, their power and vulnerability as the women move in community that allowed their presence in shops, factories, and churches, but offered them little else for entertainment and self-exploration outside of their families.

In the thirteen stories that comprise Truth and Other Fictions, by Eva Tihanyi, women take centre stage as they experience the slippery relationship between art and truth, not merely as an aesthetic concept but a reality in their lives. Art here is present in many forms and brought closely into the personal realm of the people involved with it: the paintings of Picasso, the photographs of Brassaï, the songs of Billie Holiday, the emotional impact of opera, the literature of Hemingway and Durrell, the intellect of Sontag.

Like the many surfaces of a gemstone, the varied aspects of human experience link the short stories in this collection, titled Aspects of Nature. Themes of finding one’s identity; conflicts of family, career and romance; loneliness, death, loss, and feelings of displacement; youth and aging; courage and fear; human frailty; spirituality; compassion and manifestations of evil, all are at the heart of this collection.

Silent Girl explores the experiences of unforgettable characters as they follow trajectories unimagined by Shakespeare, including a young girl who is unwittingly sold to traffickers after losing her mother in the 2004 tsunami in the title story; an ambitious, proud student in post-Soviet Kyrgyzstan who finds her dreams taken hostage in Kesh Kumay; a young woman in an interracial marriage who devises a desperate plan to help her tortured husband after his return from Vietnam in Nobody; I Myself; two women and an older man who discover how fluid the boundaries of gender can be in Cocktails Wi