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Fil d'Ariane

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  2. Cinéma Militant Political Filmmaking And May 1968

Cinéma militant political filmmaking and may 1968

Available Formats:

Details:

  • Auteur: Grant, Paul Douglas
    Contributor:

    Recorded Books, Inc.

    Résumé:

    This history covers the filmmaking tradition often referred to as cinEma militant, which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants (sans papiers), entry-level factory workers (ouvriers spEcialisEs), highly intellectual Marxist-Leninist collectives, and militant special interest groups. While this book spans the broad history of this uncharted tradition, it particularly focuses on these lesser-known figures and works and the films of CinElutte, Les groupes medvedkine, Atelier de recherche cinEmatographique, CinEthique, and the influential Marxist filmmaker Jean-Pierre Thorn. Each represent a certain tendency of this movement in French film history, offering an invaluable account of a tradition that also sought to share untold histories.

    Genre: Film, television and performing arts, History
    Original Publisher: New York , Columbia University Press
    Language(s): English
    ISBN:

    9780231851015

Details

DC Contributor

Recorded Books, Inc.

Abstract

This history covers the filmmaking tradition often referred to as cinEma militant, which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants (sans papiers), entry-level factory workers (ouvriers spEcialisEs), highly intellectual Marxist-Leninist collectives, and militant special interest groups. While this book spans the broad history of this uncharted tradition, it particularly focuses on these lesser-known figures and works and the films of CinElutte, Les groupes medvedkine, Atelier de recherche cinEmatographique, CinEthique, and the influential Marxist filmmaker Jean-Pierre Thorn. Each represent a certain tendency of this movement in French film history, offering an invaluable account of a tradition that also sought to share untold histories.

Genre
Film, television and performing arts
History
Publisher (Source)

New York

Columbia University Press

Non spécifié

Record

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