Falling Backwards Into Mirrorsis a book that merges poetry and memoir. At the same time, it is a collection grounded in the body, naked and spare, wounded and wonderful. Through vivid, sensual images that evoke feeling, the speaker embraces the naked architecture of her own flesh and bones. In moments of give and take, this healing journey echoes the kind of deep explorations once undertaken by Adrienne Rich and Sylvia Plath. After a fall from a boat, water, distortions of light, and the blur of close reflection inspire the speaker to question the consistency her own surface. She is hamstrung, literally and figuratively. She can't stand unsupported. She can't walk. She can't sit. While supine for long stretches of time, her mirror becomes a vehicle for metaphor, for seeing, for reflecting, and refracting. Falling Backwards into Mirrors begins with a sudden trauma and moves forward as the surface of the speaker's skin becomes like vellum, and landscape and love, family and community are grafted to hope.
Falling Backwards Into Mirrorsis a book that merges poetry and memoir. At the same time, it is a collection grounded in the body, naked and spare, wounded and wonderful. Through vivid, sensual images that evoke feeling, the speaker embraces the naked architecture of her own flesh and bones. In moments of give and take, this healing journey echoes the kind of deep explorations once undertaken by Adrienne Rich and Sylvia Plath. After a fall from a boat, water, distortions of light, and the blur of close reflection inspire the speaker to question the consistency her own surface. She is hamstrung, literally and figuratively. She can't stand unsupported. She can't walk. She can't sit. While supine for long stretches of time, her mirror becomes a vehicle for metaphor, for seeing, for reflecting, and refracting. Falling Backwards into Mirrors begins with a sudden trauma and moves forward as the surface of the speaker's skin becomes like vellum, and landscape and love, family and community are grafted to hope.