Abstract
Raw in its emotionalism and bold in its theatricality, Falling in Time is set in Vancouver in 1994 and tells the story of four individuals, across two continents and over a span of more than forty years. The lives of these characters miraculously intertwine in Vancouver playwright C.E. Gatchalian's uncompromising meditation on war, masculinity, sexuality, personal boundaries, and love. Falling in Time asks the question, how do we let go?