Abstract
Stephen Rowe’s geo•logics—his highly anticipated follow-up to Never More There—binds the impermanent to the permanent. With sustained inquiries into loss and reason, Rowe seeks a motivation capable of accepting pain, and reveals the outlines of our temporary lives backlit by a radiant sense of time’s passage. These poems quietly unearth the symbiotic relationship between landscape and self, capturing our comings and goings in formally graceful and chiselled verse tended by a patient and stoic intelligence. Here, the passing leaves its trace, and the imprint endures within the abiding strength of art.