Abstract
In Good Bones, first published in 1992, Margaret Atwood has fashioned an enthralling collection of parable, monologue, mini-romance and mini-biography, speculative fiction, prose lyric, outrageous recipe and reconfigured fairy tale, demonstrating yet again the play of an unerring wit overseen by a panoramic intelligence.
Good Bones is a cornucopia of good things — precise, witty, wise, and sometimes offbeat Atwood writing, with the funny and the sidelong view of the world which her readers recognize at once.