Aller au contenu principal
Accueil

National Network for Equitable Library Service

Le système canadien de la bibliothèque accessible (D10 Beta)

Menu
  • English
  • Français

User menu

  • Se connecter
Sign Up Login

Faire une recherche dans le catalogue:

Main menu

  • Accueil
  • Tutorials
  • Info for Libraries
  • Grant Projects
  • News
  • About

Fil d'Ariane

  1. Accueil
  2. The Steppes Are The Colour Of Sepia

The Steppes Are the Colour of Sepia

Available Formats:

Details:

  • Auteur: Braun, Connie
    Résumé:

    The Steppes Are the Colour of Sepia: A Mennonite Memoir invites the reader to embark on a journey that traces the paths of ancestral memory over the steppes of the Russian empire to the valleys of Canada’s Fraser River. Connie Braun’s narrative continues where Sandra Birdsell’s historical fiction Russlander has left off – back to the catastrophic events of twentieth-century Europe. Braun intimately ushers us into the life of one extended Mennonite family, and in particular the life of her father and grandfather, living under the terror of Stalin, and later, under the military expansion of Hitler’s Nazi Lebensraum in the Ukraine. In the vein of Janice Kulyk Keefer’s memoir Honey and Ashes: A Story of Family and Anne Michaels’ Fugitive Pieces, Braun gives voice to the narrative of dispossession. In a memoir that is historically faithful to documents, letters, old photographs and personal testimony, Braun offers a lyrical second-generation witness to her family members and to all other Canadians who have suffered displacement in history’s disasters, and whose obscure stories must be told. In doing so, she honours the spirit of resilience embodied by the refugees who have created and transformed Canadian society.

    Genre: Biographies and autobiographies, Canadian nonfiction, History
    Original Publisher: Vancouver , Ronsdale Press
    Language(s): English

Details

Abstract

The Steppes Are the Colour of Sepia: A Mennonite Memoir invites the reader to embark on a journey that traces the paths of ancestral memory over the steppes of the Russian empire to the valleys of Canada’s Fraser River. Connie Braun’s narrative continues where Sandra Birdsell’s historical fiction Russlander has left off – back to the catastrophic events of twentieth-century Europe. Braun intimately ushers us into the life of one extended Mennonite family, and in particular the life of her father and grandfather, living under the terror of Stalin, and later, under the military expansion of Hitler’s Nazi Lebensraum in the Ukraine. In the vein of Janice Kulyk Keefer’s memoir Honey and Ashes: A Story of Family and Anne Michaels’ Fugitive Pieces, Braun gives voice to the narrative of dispossession. In a memoir that is historically faithful to documents, letters, old photographs and personal testimony, Braun offers a lyrical second-generation witness to her family members and to all other Canadians who have suffered displacement in history’s disasters, and whose obscure stories must be told. In doing so, she honours the spirit of resilience embodied by the refugees who have created and transformed Canadian society.

Genre
Biographies and autobiographies
Canadian nonfiction
History
Publisher (Source)

Vancouver

Ronsdale Press

Non spécifié

Record

Main menu

  • Accueil
  • Tutorials
  • Info for Libraries
  • Grant Projects
  • News
  • About

Questions sur RNSEB? Contactez-nous!

Par courriel: support@nnels.ca

Téléphone: 1-888-848-9250

Suivez-nous : Bluesky, Facebook, YouTube, Linkedin

Abonnez-vous à notre newsletter.

Quatre silhouettes bleues font signe de la main, deux adultes et deux enfants, avec le texte « employeur garantissant un salaire minimum vital

Logo du Consortium pour les livres accessibles, représentant un livre ouvert avec les lettres A, B et C en texte et en braille. Logo Daisy, deux courbes bleues au-dessus et en dessous du mot DAISY Le logo du European Digital Reading Lab, un cercle bleu avec « EDRLab » au centre.