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Ranald Macdonald’s roots are in the forest of Ontario’s easternmost county and his character was forged in the small Presbyterian church near his home. When he leaves to test his idealism and faith in the rough world of the lumber business, he brings pride to the minister’s wife who was the model for his life.

For years, journalist and amateur tailor JJ Lee tried to ignore the navy suit that hung at the back of his closet — his late father's last suit. When he decides to finally make the suit his own, little does he know he is about to embark on a journey into his own past.

This volume brings together key works in the field on the structure, form, status, and reception of cult cinema traditions. Including work from key established scholars in the field such as Umberto Eco, Janet Staiger, Jeffrey Sconce, Henry Jenkins, and Barry Keith Grant, as well as new perspectives on the gradually developing canon of cult cinema, the book not only presents an overview of ways in which cult cinema can be approached, it also re-assesses the methods used to study the cult text and its audiences.

The lives of lesbians who grew up before 1965 remain cloaked in mystery. Historians have illuminated the worlds of upper-middle-class "romantic friends" and working-class butch and femme women who frequented lesbian bars in the ’50s and ’60s. The majority of lesbians, however, were lower-middle-class women who hid their sexual identity by engaging in discreet social and sexual relationships.

In these coolly observant essays, Joan Didion looks at the American political process and at "that handful of insiders who invent, year in and year out, the narrative of public life." Through the deconstruction of the sound bites and photo ops of three presidential campaigns, one presidential impeachment, and an unforgettable sex scandal, Didion reveals the mechanics of American politics. She tells us the uncomfortable truth about the way we vote, the candidates we vote for, and the people who tell us to vote for them.