National Network for Equitable Library Service

Daylight in the Swamp is the bush memoirs of Selwyn Dewdney, a noted Canadian artist and recorder of native rock art. His two great loves, art and the Canadian north, come together in this book. His respect for native culture and art is reflected in his own work, his insight into native rock art, and his passion for canoeing and the northern experience.The third theme of the book is history spanning the period from 1910 through to the 1970s during which the old north largely vanished.

"[Continuity with Change] seeks to document and demonstrate that middle positions between Change and Continuity are possible and desirable." — Canadian Architect "[Continuity with Change] is well produced with a large number of good photographs, maps, and drawings ...

In this witty and compelling defence of the art field itself, Joan Murray, one of the country's most outspoken art historians, discusses the great figures of Canadian art and the rise of our national are in institutions such as the Art Gallery of Ontario.

Churches of Nova Scotia is as much a human interest book as it is about ecclesiastical buildings. Both text and photographs tell the story of more than 30 Nova Scotia churches, but in the telling, the relationship between the interior life and history of the churches and the exterior and architecture of the church buildings is explored. The book is well balanced, containing a selection of churches from all parts of the province and representing a variety of denominational and ethnic identities, time periods, and architectural styles.

Would you want to live in a factory-molded cube made of plastic, asbestos, and UFFI? With an "H-bomb shelter" and the nuclear furnace underneath? Or a house designed by God to harmonize with the cosmic Muzak? The Canadian Home explains how our housing came to be including the pagan origins of "colonial" homes, why "Tudor" is not Tudor, and where so many predictions went wrong.

Three beautiful gothic buildings loom over the Ottawa River just below the historic Chaudiere Falls. They are the seat of Canada's federal government, visited by thousands of people each year. Canada's Parliament Buildings, filled with heraldry and history, instill pride in our country and give visitors a deep sense of being Canadian. Constructed in controversy, and steeped in decades of political lore, the Parliament Buildings have been the stage for the evolution of Canada from a small colony to one of the great nations of the world.

June 1997 marked the opening of the Confederation Bridge which spans the Northumberland Strait and connects Prince Edward Island to New Brunswick. The bridge, designed and built by the international consortium Strait Crossing, is one of the most innovative engineering projects undertaken in Canada. It is the longest bridge ever constructed over ice covered water and one of the longest continuous multi-span bridges in the world. Bridging the Strait describes the arduous trips taken by ice boats, ferries, steamers and ice breakers which have been the link to PEI.

When Marjorie Hill graduated in 1920 as Canada’s "first girl architect," she was entering a profession that had been established in Canada just 30 years earlier. For the Record, the first history of women architects in Canada, provides a fascinating introduction to early women architects, presented within the context of developments in both Europe and North America.

As a child she was "contrary,"as a young woman she defied convention to choose art over marriage, and as a middle-aged woman she was considered a full-blown eccentric. Listening to her own inner voice, Emily Carr created an art unique to British Columbia.

Artist Frances Gage, born in 1924 in Windsor, experienced both artistic recognition and acute despair in her life, yet she flourished in her work and as part of the contemporary Toronto art scene. A friend of Frances Loring and Florence Wyle, she developed a greater connection with the Group of Seven, working closely with Frederick Varley and producing reliefs of both him and A.Y. Jackson while working in Tom Thomson's shack. Frances remained focused and positive and became a successful sculptor, creating more than five hundred works of art.