Biographies and autobiographies
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Abstract
From the creator of Your Fat Friend, an explosive indictment of the systemic and cultural bias facing plus-size people that will move us toward creating an agenda for fat justice. Anti-fatness is everywhere. In What We Don't Talk About When We Talk About Fat, Aubrey Gordon unearths the cultural attitudes and social systems that have led to people being denied basic needs because they are fat and calls for social justice movements to be inclusive of plus-sized people's experiences.
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Abstract
A beloved culinary historian's short takes on six famous women through the lens of food and cooking-what they ate and how their attitudes toward food offer surprising new insights into their lives. "Establishes Laura Shapiro as the founder of a delectable new literary genre: the culinary biography."--Megan Marshall, Pulitzer-prize winning biographer Everyone eats, and food touches on every aspect of our lives-social and cultural, personal and political.
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Abstract
By age 30, Stephanie Foo was successful on paper: She had her dream job as an award-winning radio producer at This American Life and a loving boyfriend. But behind her office door, she was having panic attacks and sobbing at her desk every morning. After years of questioning what was wrong with herself, she was diagnosed with complex PTSD—a condition that occurs when trauma happens continuously, over the course of years. Both of Foo’s parents abandoned her when she was a teenager, after years of physical and verbal abuse and neglect.
Publisher (Source)
Penguin Random House Audio Publishing Group
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Abstract
In the spirit of Amy Poehler's Yes Please, The Birth of a Nation, actress Gabrielle Union shook the world with a vulnerable and impassioned editorial in which she urged our society to have compassion for victims of sexual violence. In the wake of rape allegations made against director and actor Nate Parker, Union-a forty-four-year-old actress who launched her career with roles in iconic '90s movies-instantly became the insightful, outspoken actress that Hollywood has been desperately awaiting.
Publisher (Source)
[Place of publication not identified]
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Abstract
What could possibly be “lucky” about addiction? Absolutely nothing, thought Laura McKowen when drinking brought her to her knees. As she puts it, she “kicked and screamed . . . wishing for something - anything - else” to be her issue. The people who got to drink normally, she thought, were so damn lucky. But in the midst of early sobriety, when no longer able to anesthetize her pain and anxiety, she realized that she was actually the lucky one. Lucky to feel her feelings, live honestly, really be with her daughter, change her legacy.
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Abstract
Sometimes you just have to laugh, even when life is a dumpster fire. With We Are Never Meeting in Real Life., "bitches gotta eat" blogger and comedian Samantha Irby turns the serio-comic essay into an art form.
Publisher (Source)
Penguin Random House Audio Publishing Group
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Abstract
A concise, expert account of Virginia Woolf's life and ideas and explains their influence on literature and on man's struggle to understand his place in the world.
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Abstract
Vincent van Gogh’s paintings look utterly unique - his vivid palette and boldly interpretive portraits are unmistakably his. Yet however revolutionary his style may have been, it was actually built on a strong foundation of paintings by other artists, both his contemporaries and those who came before him. Now, drawing on Van Gogh’s own thoughtful and often profound comments about the painters he venerated, Steven Naifeh gives a gripping account of the artist’s deep engagement with their work.
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Abstract
From the authors of Jackson Pollock: An American Saga comes an exquisitely detailed, compelling, and ultimately heartbreaking portrait of creative genius Vincent van Gogh.
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Abstract
Part memoir and part manifesto, Unreconciled is a stirring call to arms to put truth over the flawed concept of reconciliation, and to build a new, respectful relationship between the nation of Canada and Indigenous peoples. Jesse Wente remembers the exact moment he realized that he was a certain kind of Indian—a stereotypical cartoon Indian. He was playing softball as a child when the opposing team began to war-whoop when he was at bat.