National Network for Equitable Library Service

What happens when we watch feature films or television dramas' Many of our responses to moving-image fiction texts embody "realism" or "truth," but what are we responding to, exactly, and how is our notion of reality or truth to be understood' For film and media students and makers of moving-image fiction in new digital forms, the question of how to get a more objective, rigorous handle on realism has never been more important.

In The Walking Dead, human beings are pushed to their limits by a zombie apocalypse and have to decide what really matters. Good and evil, freedom and slavery, when one life has to be sacrificed for another, even the nature of religion-all the ultimate questions of human existence are posed afresh as the old society crumbles away and a new form of society emerges, with new beliefs and new rules. The Ultimate Walking Dead and Philosophy brings together twenty philosophers with different perspectives on the imagined world of this addictive TV show.

Adventure Time and Philosophy is a monster-beating, wild ride of philosophical mayhem. The authors have come together to understand and explore one of the deepest and most thoughtful television shows ever to assault human brain waves. Where Adventure Time shows us what the world could be like, this book screws open our cranial lids, mucks about in the mess that is our heads, and attempts to come to some answers about the nature of reality. Adventure Time challenges everything we know about life, meaning, heroism, and even burritos. And it's time to give the show some serious thought.

Projecting Race presents a history of educational documentary filmmaking in the postwar era in light of race relations and the fight for civil rights. Drawing on extensive archival research and textual analyses, the volume tracks the evolution of race-based, nontheatrical cinema from its neorealist roots to its incorporation of new documentary techniques intent on recording reality in real time.

A groundbreaking contribution to the study of non-theatrical film exhibition, Carceral Fantasies tells the little-known story of how cinema found a home in the U.S. penitentiary system and how the prison emerged as a setting and narrative trope in modern cinema. Focusing on films shown in prisons before 1935, the book explores the unique experience of viewing cinema while incarcerated and the complex cultural roots of cinematic renderings of prison life.

There was a time when seeing a movie meant more than seeing a film. The theater itself helped shape the perception of events onscreen. This multilayered history tells the story of American film through the evolution of theater architecture and the surprisingly varied ways movies were exhibited, beginning with Edison's 1896 projections and ending with the 1968 Cinerama premiere of Stanley Kubrick's 2001.

Founded in 1997 by producer Anita Lee and journalist Andrew Sun, the Toronto Reel Asian International Film Festival is a unique showcase of contemporary Asian cinema and work from the Asian diaspora. The festival fosters the exchange of cultural and artistic ideals between East and West, provides a public forum for homegrown Asian media artists and their work and fuels the growing appreciation for Asian cinema in Canada. In Reel Asian: Asian Canada on Screen, contributors, many of them filmmakers, examine East and Southeast Asian Canadian contributions to independent film and video.

Everybody loves the movies. But a movie about the colour blue, or an isolated mountain range, or a man grown so thin the world floats through his perfect transparency' Welcome to the strange and wonderful universe of fringe cinema. Twenty-three interviews with Canada's finest underdogs. Includes a foreword by Atom Egoyan.

Guy Maddin is one of Canada's most celebrated and original filmmakers, the director of such delirious films as Tales from the Gimli Hospital, Careful, Dracula: Pages from a Virgin's Diary, The Saddest Music in the World and My Winnipeg. Few know, however, that he is just as gifted a writer, and his resolutely purple prose, as eccentric and enchanting as his film work, is a true delight.

MAKE MOVIE NIGHT EPIC Invite friends over, mix some drinks, press play and drink, drink, drink every time Lights Camera Booze tells you to. It's 80-proof fun in front of the big screen when this book turns your favorite movies into drinking game parodies, including: Hand-drawn game boards Rules on when to drink Themed cocktails for each flick Post-movie sobriety challenges