National Network for Equitable Library Service

An ambitious firefighter hunts a notorious arsonist in the Edgar Award-winning true crime story the New York Times calls "stranger than fiction." From Joseph Wambaugh, the #1 New York Times-bestselling author of such classics as The Onion Field and The Choirboys, comes the extraordinary story of the chase for the "Pillow Pyro," called the most prolific American arsonist of the twentieth century. Growing up in Los Angeles, John Orr idolized law enforcement.

The author of "Our Crowd" takes readers inside the gossip-tinged world of the 1970s Black elite, one obsessed with history, standing and appearance.

Edgar Award Finalist: The terrifying true story of savage murders, a terrorized midwestern town, and the serial killer who could have lived next door In 1967, during the time of peace, free love, and hitchhiking, nineteen-year-old Mary Terese Fleszar was last seen alive walking home to her apartment in Ypsilanti, Michigan. One month later, her naked body'stabbed over thirty times and missing both feet and a forearm'was discovered, partially buried, on an abandoned farm. A year later, the body of twenty-year-old Joan Schell was found, similarly violated.

The "poet laureate of the New York underground scene" chronicles three decades of electrifying artistic expression Once dominated by Beat Generation writers like Jack Kerouac and Allen Ginsberg, by the 1970s and '80s, New York City's creative scene had given way to a punk rock-era defined by figures like Debbie Harry and Richard Hell.

"Trafficking thrives in the shadows. And it can be easy to dismiss it as something that happens to someone else, somewhere else. But that is not the case. Trafficking is a crime that involves every nation on earth, and that includes our own."-US secretary of state Hillary Rodham Clinton, 2009 Human trafficking is as old as slavery and continues to be practiced in the modern world.

In the United States, racial profiling affects thousands of Americans every day. Both individuals and institutions-such as law enforcement agencies, government bodies, and schools-routinely use race or ethnicity as grounds for suspecting someone of an offense. The high-profile deaths of unarmed people of color at the hands of police officers have brought renewed national attention to racial profiling and have inspired grassroots activism from groups such as Black Lives Matter.

From the legendary civil rights activist and author of the million-copy selling Warriors Don't Cry comes an ardent and profound childhood memoir of growing up while facing adversity in the Jim Crow South. Long before she was one of the Little Rock Nine, Melba Pattillo Beals was a warrior. Frustrated by the laws that kept African-Americans separate but very much unequal to whites, she had questions.

On a hot day in July 1919, five black youths went swimming in Lake Michigan, unintentionally floating close to the "white" beach. An angry white man began throwing stones at the boys, striking and killing one. Racial conflict on the beach erupted into days of urban violence that shook the city of Chicago to its foundations. This mesmerizing narrative draws on contemporary accounts as it traces the roots of the explosion that had been building for decades in race relations, politics, business, and clashes of culture. Archival photos and prints, source notes, bibliography, index.

What's really happening behind closed doors on America's college campuses' A new sexual revolution is sweeping the country, and college students are on the front lines. Women use fresh, smart methods to fight entrenched sexism and sexual assault even as they celebrate their own sexuality as never before. Many "woke" male students are more sensitive to women's concerns than previous generations ever were, while other men perpetuate the most cruel misogyny. Amid such apparent contradictions, it's no surprise that intense confusion shrouds the topic of sex on campus.

In this smart, funny, impassioned call to arms, a pop culture critic merges memoir and commentary to explore how our culture shapes ideas about who women are, what they are meant to be, and where they belong. Who is "the girl"' Look to movies, TV shows, magazines, and ads and the message is both clear and not: she is a sexed up sidekick, a princess waiting to be saved, a morally infallible angel with no opinions of her own. She's whatever the hero needs her to be in order to become himself. She's an abstraction, an ideal, a standard, a mercurial phantom.