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A riveting exploration of the dark, brooding presence of the First World War in the lives of the inhabitants of a "soldier's settlement" on Vancouver Island.

With a poetic eye and a gift for storytelling, Crummey vividly depicts the stark Newfoundland backcountry. He shows the agonies of the men toiling towards the caribou slaughtering yards of the Beothuk; of coming upon the terrible beauty of Red Indian Lake, its frozen valley lit up by the sunset like “a cathedral lit with candles”; then retreating through rotten ice that slices at clothing and skin as they flee the disaster.

The real-life Jonathan Wild, gangland godfather and self-styled "Thieftaker General," controlled much of the London underworld until he was executed for his crimes in 1725. Even during his lifetime his achievements attracted attention; after his death balladeers sang of his exploits, and satirists made connections between his success and the triumph of corruption in high places. Fielding built on these narratives to produce one of the greatest sustained satires in the English language.

The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective. His tools are the logic of Aristotle, the theology of Aquinas, the empirical insights of Roger Bacon—all sharpened to a glistening edge by wry humor and a ferocious curiosity.

Ranald Macdonald’s roots are in the forest of Ontario’s easternmost county and his character was forged in the small Presbyterian church near his home. When he leaves to test his idealism and faith in the rough world of the lumber business, he brings pride to the minister’s wife who was the model for his life.

On her twelfth birthday, Sierva Maria – the only child of a decaying noble family in an eighteenth-century South American seaport – is bitten by a rabid dog. Believed to be possessed, she is brought to a convent for observation. And into her cell stumbles Father Cayetano Delaura, who has already dreamed about a girl with hair trailing after her like a bridal train. As he tends to her with holy water and sacramental oils, Delaura feels something shocking begin to occur. He has fallen in love – and it is not long until Sierva Maria joins him in his fevered misery.

In one of the most important and beloved Latin American works of the twentieth century, Isabel Allende weaves a luminous tapestry of three generations of the Trueba family, revealing both triumphs and tragedies. Here is patriarch Esteban, whose wild desires and political machinations are tempered only by his love for his ethereal wife, Clara, a woman touched by an otherworldly hand.