Abstract
In Deluded Your Sailors, the culture industry is a weapon, a victim, and an opportunity, depending on the perspective of two main figures: the unsteady but perceptive Nichole Wright, whose discovery of crucial documents threatens a government-funded tourism project, and the politely menacing, shape-shifting Reverend Elias Winslow. And in parallel storytelling: an early eighteenth-century girl, daughter of a nameless prostitute, winds up first as object of depraved pleasure, espionage agent and courier, and finally captain of a Salem trading vessel.