National Network for Equitable Library Service

Surviving the Halifax Explosion is one thing, but how do Lucy Caines and her wayward husband, Harry, a couple who lose everything to the event's horrors, make peace with their grief? Rebuilding on the rustic shores of Halifax's Northwest Arm, steps from where the shaft of Mont Blanc's anchor lands that fateful day in 1917. But coping with the disappearance on that day of their infant daughter, they descend into an isolating denial: Lucy through guilt and reticence, and Harry through drinking and gambling.

Vintage Margaret Atwood meets Patricia Highsmith in this slyly seductive debut set on an eerily beautiful farm teeming with secrets. The drought has discontented the bees. Soil dries into sand; honeycomb stiffens into wax. But Cynthia knows how to breathe life back into her farm: offer it as an artists' colony with free room, board, and "life experience" in exchange for backbreaking labour. Silvia, a wide-eyed graduate and would-be poet, and Ibrahim, a painter distracted by constant inspiration, are drawn to Cynthia's offer, and soon, to each other.

Inspired by the terrible breakups around her, sixteen-year-old Lizzie, strapped for cash and itching to go on the school's band trip to NYC, teams up with her best friend, Willa, to create a genius business: personalized gift baskets--breakup baskets--sent from dumper to dumpee. The Goodbye Girls operate in secret, and business is booming. But it's not long before someone begins sabotaging The Goodbye Girls, sending impossibly cruel baskets to seemingly random targets, undermining everything Lizzie and Willa have built and jeopardizing their anonymity.

This was the line between here and there. No landwash, no vague intertidal zone, no undecided. She stood at the edge, a mass of instincts and yearnings and despair, while the dawn painted itself in around her, shade by delicate shade. The kids call her Lighthouse: no lights on up there. In a small town, everyone knows when you can't read. But Cathy is just distracted by the light and lines and artistry of everyday life. She is a talented artist growing up in tiny Mariners Cove and yearns for acceptance. She dreams of enrolling in art school, but getting there will be a struggle.

Dylan is twelve years old and embarking on his first ocean kayaking trip with his parents. He has spent the last year convincing them that he is ready for the challenging-and very dangerous-adventure. In fact, he has been determined to go ever since he heard about the destination: Ireland's Eye. The small island off the coast of Newfoundland is the easternmost settlement in Canada. Or it was. It is now hauntingly empty, a ghost town clinging to the edge of the unforgiving Atlantic.

It's 1773 and twelve-year-old Dougal Cameron and his whole family are set to sail away from their Scotland home forever. When tragedy strikes, the family must decide whether or not to make the trip without Dougal's father. Once the ship departs, Dougal is drawn to the haunting sounds of the lone piper on-board. (The instrument, while still illegal in their homeland at the time, was brought aboard to keep spirits up.) When a violent storm knocks the Hector two weeks off course, Dougal's dream of becoming a piper has to take a back seat to keeping his three little sisters alive.

Abandoned on the steps of a Belgian convent as a baby, thirteen-year-old Grace has grown up among the nuns. But her days as a caretaker and companion for her older sister, Dotty, have come to a sad end with Dotty's death, and now Grace is living among the girls who attend the convent's boarding school-the very same girls who taunted and bullied her sister for having Down syndrome. Grace desperately wants to know who left her at the convent; she wants a family and to not feel alone in the world.

It's 1943. Enman and Una Greene are newly married. Each is haunted by their respective pasts, and each harbours secrets. They have hopes of a happy life together-though they have little idea how to create such a life. Enman brings Una to his childhood home in rural Barrein, Nova Scotia, where he hopes they will stay. Una is restless and feeling increasingly trapped, and longs for the city life she once had. Una meets a mysterious man, and then a body washes up on a beach. There are rumours of German sailors roaming the dunes.

The story begins with Nell, the "spinster on the hill" near St. Peter's, Cape Breton. Scarred by her own childhood, she swears she could never love a child and that she will never marry, denying herself a life with the man she loves. She's proven wrong when a baby is born just down the road from her. Her love of little Jane, despite herself, propels us forward through generations trying to untangle their own traumas and secrets. Eventually, we meet Bridie-joyful, kind, capable Bridie-and see her struggling through the echoing pain of those who came before her.

GODMOTHER OF CAPE BRETON FICTION, and an essential figure in contemporary storytelling, Tessie Gillis has inspired Nova Scotia writers including Lynn Coady, Ann-Marie MacDonald, Alistair MacLeod, and Sheldon Currie. Her gripping stories dare to open the door to a realistic, sympathetic, and often dark portrait of rural Cape Breton life. The Innocent and Other Stories is generous selection inspired by Sheldon Currie's powerful and insightful opening essay- stories with exquisite focus on her vivid characters' hopes, fears, and failings.