National Network for Equitable Library Service

In John Ware's Cow Country , Grant MacEwan captures the energy, strength and gritty determination of the now legendary John Ware. Born and raised a slave in the United States, Ware made his way to the foothills of western Canada in 1882. With his talent for ranching, he built up a sizable cattle operation of his own and eventually become of the the most famous cowboys in Canadian history.

Before there was Kate Beaton, New York Times bestselling cartoonist of Hark! A Vagrant, there was Katie Beaton of the Cape Breton Beaton, specifically Mabou, a tight-knit seaside community where the lobster is as abundant as beaches, fiddles, and Gaelic folk songs. With the singular goal of paying off her student loans, Katie heads out west to take advantage of Alberta's oil rush—part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much.

The Dene have lived in the vast Mackenzie River Valley since time immemorial, by their account. To the Dene, the land owns them, not the other way around, and it is central to their livelihood and very way of being. But the subarctic Canadian Northwest Territories are home to valuable resources, including oil, gas, and diamonds. With mining came jobs and investment, but also road-building, pipelines, and toxic waste, which scarred the landscape, and alcohol, drugs, and debt, which deformed a way of life.

A new edition of the groundbreaking 1959 publication created in collaboration with the Gitanyow Hereditary Chiefs. This beautiful new edition of the histories and laws of the Gitanyow (literally "people of the small/narrow place," once called the Kitwancool in settler accounts), as recounted to museum curator Wilson Duff in 1959, includes a new foreword by Gitanyow Hereditary Chiefs while preserving the original text. Until the mid-twentieth century, the village of Kitwancool (now Gitanyow) was only accessible to outsiders by trail.

From one of the world's most renowned cave divers, a firsthand account of exploring the earth's final frontier: the hidden depths of our oceans and the sunken caves inside our planetMore people have died exploring underwater caves than climbing Mount Everest, and we know more about deep space than we do about the depths of our oceans.

Since he was a small child, Lorimer Shenher knew something for certain: He was a boy. The problem was, he was growing up in a girl’s body. In this candid and thoughtful memoir, Shenher shares the story of his gender journey, from childhood gender dysphoria to teenage sexual experimentation to early adult denial of his identity - and finally the acceptance that he is trans, culminating in gender reassignment surgery in his 50s.

Narrated by the author, with interludes narrated by Buffy Sainte-Marie. A powerful, intimate look at the life and music of a beloved folk icon and activist. Folk hero. Songwriter icon. Living legend. Buffy Sainte-Marie is all of these things and more. In this, Sainte-Marie's first and only authorized biography, music critic Andrea Warner draws from more than sixty hours of exclusive interviews to offer a powerful, intimate look at the life of the beloved artist and everything that she has accomplished in her seventy-seven years (and counting).

Making Believe responds to a remarkable flowering of art by Mennonites in Canada. After the publication of his first novel in 1962, Rudy Wiebe was the only identifiable Mennonite literary writer in the country. Beginning in the 1970s, the numbers grew rapidly and now include writers Patrick Friesen, Sandra Birdsell, Di Brandt, Sarah Klassen, Armin Wiebe, David Bergen, Miriam Toews, Carrie Snyder, Casey Plett, and many more.

Alan Ainslie is an able and dedicated man high in the government. Daniel Ainslie, his son, is a member of an explosive movement impelled by the naive rebelliousness of the New Left. Hugh MacLennan weaves a complex and story of two generations in conflict. Originally published in 1967, Return of the Sphinx is something of a sequel to the more optimistic Two Solitudes and reflects MacLennan's disenchantment with the world in general and the apparently intractable French-English debate in Canada.

The story of the bloody 1917 Battle of Vimy Ridge is, according to many of today's tellings, a heroic founding moment for Canada. This noble, birth-of-a-nation narrative is regularly applied to the Great War in general. Yet this mythical tale is rather new. 'Vimyism'—today's official story of glorious, martial patriotism—contrasts sharply with the complex ways in which veterans, artists, clerics, and even politicians who had supported the war interpreted its meaning over the decades. Was the Great War a futile imperial debacle? A proud, nation-building milestone?