National Network for Equitable Library Service

Though First Nations communities in Canada have historically lacked access to clean water, affordable food, and equitable health care, they have never lacked access to well-funded scientists seeking to study them. Inventing the Thrifty Gene examines the relationship between science and settler colonialism through the lens of "Aboriginal diabetes" and the thrifty gene hypothesis, which posits that Indigenous peoples are genetically predisposed to type 2 diabetes and obesity due to their alleged hunter-gatherer genes.

"The horrors of the Indian Residential Schools (IRS) are by now well-known historical facts. And they have certainly found purchase in the Canadian consciousness in recent years. The history of violence and the struggles of survivors for redress resulted in a Truth and Reconciliation Commission (TRC), which chronicled the harms inflicted by the residential schools and explored ways to address the social fallouts that have been left behind. One of those fallouts is the crisis of Indigenous over-incarceration.

This collection of contemporary poetry, art, and narrative supports K-12 teachers in connecting with Indigenous voices and perspectives, bringing Indigenous works in their classrooms, and creating equitable teaching practices.

"Returning to Ceremony is the follow-up to Chantal Fiola's award-winning Rekindling the Sacred Fire and continues her ground-breaking examination of Métis spirituality, debunking stereotypes such as "all Métis people are Catholic," and "Métis people do not go to ceremonies." Fiola finds that, among the Métis, spirituality exists on a continuum of Indigenous and Christian traditions, and that Métis spirituality includes ceremonies.

Drawing attention to the ways in which creative practices are essential to the health, well-being, and healing of Indigenous peoples, The Arts of Indigenous Health and Well-Being addresses the effects of artistic endeavour on the "good life", or mino-pimatisiwin in Cree, which can be described as the balanced interconnection of physical, emotional, spiritual, and mental well-being.

"Born out of a meticulous, well-researched historical and current traditional land-use study led by Cega' Kínna Nakoda Oyáté (Carry the Kettle Nakoda First Nation), Owóknage is the first book to tell the definitive, comprehensive story of the Nakoda people (formerly known as the Assiniboine), in their own words.

Daughters of Aataentsic highlights and connects the unique lives of seven Wendat/Wandat women whose legacies are still felt today. Spanning the continent and the colonial borders of New France, British North America, Canada, and the United States, this book shows how Wendat people and place came together in Ontario, Quebec, Michigan, Ohio, Kansas, and Oklahoma, and how generations of activism became intimately tied with notions of family, community, motherwork, and legacy from the seventeenth to the twenty-first century.

The Neyhiyawak (Plains Cree) word "Kitotam" translates into English as, "He Speaks to It." This is a collection of free-verse poetry by Indigenous poet and artist John McDonald. Written in two parts, these poems chronicle John's life and experiences as an urban Indigenous youth during the 1980s. The second half of the book is a look into the inspirations and events, that shaped John's career as an internationally known spoken word artist, beat poet, monologist and performance artist.

For readers of Tommy Orange's There There and Terese Marie Mailhot's Heart Berries, Probably Ruby is an audacious, brave and beautiful book about an adopted woman's search for her Indigenous identity. Relinquished as an infant, Ruby is placed in a foster home and finally adopted by Alice and Mel, a less-than-desirable couple who can't afford to complain too loudly about Ruby's Indigenous roots. But when her new parents' marriage falls apart, Ruby finds herself vulnerable and in compromising situations that lead her to search, in the unlikeliest of places, for her Indigenous identity.

A teen wakes up in a hospital with no memory. There is nothing to indicate who she might be-no identification and no distinguishing marks on her body, not even a freckle. She is brought to a foster home where she wades through relationships all the while trying to figure out her identity. Her skin colour and features indicate she is Indigenous, possibly Cree. But how did she arrive alone and naked in a Vancouver metro station? As she begins to piece together the puzzle with the help of two new friends, she discovers she is no ordinary girl-and her life has no ordinary purpose.