National Network for Equitable Library Service

An astonishing untold story from America's past-a sweeping, powerful, and necessary work of history that reads like Gone with the Wind for the Cherokee. Blood Moon is the story of the century-long blood feud between two rival Cherokee chiefs from the early years of the United States through the infamous Trail of Tears and into the Civil War. The two men's mutual hatred, while little remembered today, shaped the tragic history of the tribe far more than anyone, even the reviled President Andrew Jackson, ever did.

S.C. Gwynne's New York Times bestselling historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West is now available from Encore for the first time and at a great low price. Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history.

A collection of traditional and original Native American stories from the American West told by master storyteller Thomas Doty. His adventures with Coyote find them journeying into the rich native culture and traditions of Doty's ancestors.

Matthiessen reveals a complex historical struggle between American Indians and the United States government and how it influenced the events that lead to the imprisonment of Leonard Peltier.

Life in the high Arctic is beautifully captured in this classic picture book, read aloud in digital form by award-winning Inuit author Michael Arvaarluk Kusugak. The year is 1955 and Arvaarluk and his friends watch as Rocky Parsons lands his plane on the ice in Repulse Bay, a tiny community “smack dab on the Arctic Circle.”  Having never seen trees before, the children try to guess what the six green spindly things are that Rocky delivers.

In Keetsahnak / Our Murdered and Missing Indigenous Sisters, the tension between personal, political, and public action is brought home starkly. This important collective volume both witnesses the significance of the travelling exhibition Walking With Our Sisters and creates a model for antiviolence work from an Indigenous perspective. The contributors look at the roots of violence and how it diminishes life for all.

Take a journey into the heart of Haida culture as it is lived and experienced by an extraordinary woman of the Tsath Lanas Eagle Clan. Pansy Collison, a Haida woman born and raised in Old Massett on Haida Gwaii, tells stories of her clan and community, as well as personal narratives about her history and family. Haida Eagle Treasures embodies a strong Haida woman's voice, offering a rare glimpse inside Haida culture. Each story and memory is a treasure that captures part of the beauty of the Haida worldview and way of life.

Elements of Indigenous Style provides guidelines to help writers, editors, and publishers produce material that reflects Indigenous people in an appropriate and respectful manner. Gregory Younging, a member of the Opaskwayak Cree Nation in Northern Manitoba, has been the managing editor of Theytus Books, the first Aboriginal-owned publishing house in Canada, for over 13 years. Elements of Indigenous Style evolved from the house style guide Gregory developed at Theytus in order to ensure content was consistent and respectful.

Big Bear, chief of a Plains Cree community in western Canada in the late nineteenth century, was a transitional figure between the height of Plains Indian culture and the modern era. During the 1870s and early 1880s, Big Bear became the focal point of opposition for Cree and Saulteaux bands that did not wish to make treaty with Canada. During the early 1880s, he spearheaded a Plains diplomatic movement to renegotiate the treaties in favour of the Aboriginal groups whose way of life had been devastated by the disappearance of the buffalo.

I woke up with Moses Henry’s boot holding open my jaw and my right eye was looking into his gun barrel. I heard the slow words, “Take. It. Back.” I know one thing about Moses Henry; he means business when he means business. I took it back and for the last eight months I have not uttered Annie Mukluk’s name. In strolls Annie Mukluk in all her mukiness glory. Tonight she has gone traditional. Her long black hair is wrapped in intu’dlit braids. Only my mom still does that. She’s got mukluks, real mukluks on and she’s wearing the old-style caribou parka.