NNELS Upgrade

This collection of over thirty essays by both well-known and emerging writers explores what it means to “be at home” on Canada’s West Coast. Here the rainforest and the wild, stormy cost dominate one’s sense of identity, a humbling perspective shared in memoirs by individuals who come to see themselves as part of a larger ecological community. Alexandra Morton followed the orcas to the Broughton Archipelago and now fights to protect wild salmon from the impact of fish farms.

The series of Craft Perception and Practice volumes gives recognition to the exciting new developments in contemporary craft practice and scholarship. This second volume brings together 22 essays and critical commentaries by 19 independent critics and curators, professional artists, art historians, and studio art instructors. Illustrated with 40 colour photographs of works by some of Canadas finest craft artists, the texts represent the depth and range of critical thought about Canadian craft presented at symposiums and in exhibition catalogues and arts journals.

Throughout history, humans have been terrified and fascinated by the plagues they've suffered. Get Well Soon delivers the gruesome and morbid details of some of the worst plagues in human history as well as the stories of the heroic figures who fought to eradicate them.

David Sedaris plays in the snow with his sisters. He goes on vacation with his family. He gets a job selling drinks. He attends his brother's wedding. He mops his sister's floor. He gives directions to a lost traveler. He eats a hamburger. He has his blood sugar tested. It all sounds so normal, doesn't it? Yet Sedaris lifts the corner of ordinary life, revealing the absurdity teeming below the surface, exposing a world alive with hidden motives and obscure desires.

A collection of Gladwell's best and most famous essays originally published in the New Yorker.

The second volume in his autobiographical quartet based on the seasons, Winter is an achingly beautiful collection of daily meditations and letters addressed directly to Knaugsaard's unborn daughter 2 December - It is strange that you exist, but that you don't know anything about what the world looks like. It's strange that there is a first time to see the sky, a first time to see the sun, a first time to feel the air against one's skin. It's strange that there is a first time to see a face, a tree, a lamp, pajamas, a shoe.

Erin Wunker is a feminist killjoy, and she thinks you should be one, too. Following in the tradition of Sara Ahmed (the originator of the concept "feminist killjoy"), Wunker brings memoir, theory, literary criticism, pop culture, and feminist thinking together in this collection of essays that take up Ahmed's project as a multi-faceted lens through which to read the world from a feminist point of view.

Bernard Williams was one of the most important philosophers of the past fifty years, but he was also a distinguished critic and essayist with an elegant style and a rare ability to communicate complex ideas to a wide public. This is the first collection of Williams's popular essays and reviews. Williams writes about a broad range of subjects, from philosophy to science, the humanities, economics, feminism, and pornography. Included are reviews of major books such as John Rawls's Theory of Justice, Richard Rorty's Consequences of Pragmatism, and Martha Nussbaum's Therapy of Desire.

De nos jours, on ne défend plus l’idée que les peuples autochtones conquis et colonisés étaient sans culture ou sans histoire, tout en reconnaissant néanmoins que leur histoire était obscure et leur univers culturel opaque pour les premiers voyageurs européens. Roland Viau écrit ici la rencontre entre l’Europe et l’Amerindia en donnant la parole à l’Autre. Sa perspective est globale, proche de la world history – symbiose entre les disciplines de la mémoire: ethnologie, histoire et archéologie – et loin de la vision d’un monde façonné par le seul Occident.

A companion to "A Field Guide for Getting Lost." Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories--of her mother and her decline from memory loss, of a trip to Iceland, of an illness. Solnit revisits fairytales and entertains other stories: about arctic explorers, Che Guevara among the leper colonies, and Mary Shelley's Dr. Frankenstein, about warmth and coldness, pain and kindness, decay and transformation, making art and making self.