National Network for Equitable Library Service

I open my eyes in the darkness, laying on my side, half my vision is of the earth and shadows; the other is of the sky, treetops, and stars. I should write Clifford's story. The thought emerges fully formed . . . The thought dissipates. I close my eyes and the earth and the sky disappear. The warmth of my sleeping bag wraps around me and sleep pulls me under into that half-world where reality and fantasy mingle in a place where coherent thoughts disintegrate.

This is a book about a small Southern Italian village and its offshoots in Toronto. It's about bread and figs and food in general, about Carnival and pilgrimages to religious sanctuaries, about fathers, mothers and children, about migrating and about remaining, about yearning to leave if you've stayed and yearning to make the trek back if you've gone, about how both those who travel and those who never stray from home change.

Small Things is a book of mini-anti-essays, part of Sky Gilbert's project to dismantle and challenge the rigid classifications of genre. The purpose of this kind of genre bending is to challenge 21st century notions of truth. Inspired by Oscar Wilde, Foucault, and the post-structuralist project, the small writings in small things are story, essay, and memoir combined.

Since selections first appeared in the New Quarterly and the National Post as part of “The Afterword,” Steven Heighton’s memos and dispatches to himself — a writer’s pointed, cutting take on his own work and the work of writing — have been tweeted and retweeted, discussed and tacked to bulletin boards everywhere. Coalesced, completed, and collected here for the first time, a wholly new kind of book has emerged, one that’s as much about creative process as it is about created product, at once about living life and the writing life.

A rare glimpse into an artist’s mind, his toolbox, and the world of film animation

The Sweater is one of the most beloved animated films of all time. Based on Roch Carrier’s short story, also known as “The Hockey Sweater,” the film recounts the most horrifying moment of the author’s childhood. Sheldon Cohen adapted the story into animation and created a film that is as much about childhood emotions and the desire to fit in, as it is about hockey, the clash of cultures, and a harkening to bygone times.

A breathtaking mix of observation, prose, natural history, and art. We tend to look at landscape in relation to what it can do for us. Does it move us with its beauty? Can we make a living from it? But what if we examined a landscape on its own terms, freed from our expectations and assumptions? This is what celebrated writer Helen Humphreys sets out to do in this beautiful, groundbreaking examination of place. For more than a decade Humphreys has owned a small waterside property on a section of the Napanee River in Ontario.

The poems in The Flower of Youth depict the coming of age and into sexual difference of the great writer and film director, Pier Paolo Pasolini. The time of this story is World War II; the place is German-occupied northern Italy. Unlike his younger brother, Guido, who took up arms to fight in the resistance, Pasolini chose to help his mother set up a school for the boys, mostly sons of farmers, too young to fight or be conscripted.

When biologist Brian Harvey saw a thousand fish blundering into a Brazilian dam, he asked the obvious: What's going to happen to them? The End of the River is the story of his long search for an answer. The End of the River is about people and rivers and the misuse of science. Harvey takes readers from a fisheries patrol boat on the Fraser River to the great Tsukiji fish market in Japan, with stops in the Philippines, Thailand, and assorted South American countries.

Neil Peart is an internationally critically acclaimed, bestselling, and award-nominated author, and for more than thirty years has been the legendary drummer and lyricist for Rush, the most successful band in the history of Canadian rock music. Defying categorization, his books have earned a devoted readership by combining elements of memoir, travel writing, and social commentary with a thoughtful, musical sense of self-discovery.

The highly anticipated follow-up to the wildly popular Glimpse

Quick is George Murray’s second collection of aphorisms — a form that straddles the lines between poetry, philosophy, humour, and prose. He describes these pieces as “poetic essences” — sometimes even as “poems, without all the poetry getting in the way.” Some are deep, some clever, some funny, some all three. The best, he says, should read like common-sense statements that have never actually been expressed.