National Network for Equitable Library Service

Presents an account of Guernica, the masterpiece painted by Pablo Picasso, and the event that inspired it, the bombing of the Basque town of Guernica by Hitler's Luftwaffe.

In 1953, Esref Armagan was born completely blind to a poor family in Istanbul, Turkey. He received no formal education and spent his childhood days in his father's shop, where he developed the curiosity to create and draw. He experienced the world through touch and learned to visually reproduce his surroundings, including color, shadows, and perspective, with his hands.

Canada’s brand of nationalism celebrates diversity – so long as it doesn’t challenge the unity, authority, or legitimacy of the state. Caitlin Gordon-Walker explores this tension between unity and diversity in three nationally recognized museums, institutions that must make judgments about what counts as “too different” in order to celebrate who we are as a people and nation through exhibits, programs, and design.

Museums and the Past explores the central role of museums as memory keepers and makers. Using case studies from a Canadian context, the contributors to this collection reflect on the challenges in maintaining and developing museums as meaningful places of memory and learning. Discussions of museum practice and historical consciousness – how our understanding of the past shapes our sense of the future – consider the modern museum’s narratives and pedagogical responsibilities and how museums continue to inform our sense of history.

Remembered in Broze and Stone evokes the years immediately following the First World War, when grief was still freshly felt in communities from one end of Canada to the other. This book tells the story of the nation’s war memorials—particularly bronze or stone sculptures depicting Canadian soldiers—through the artists who conceived them, the communities that built them, and, above all, those who died in the war and were immortalized in these stunning sculptures raised in their honour.

George Littlechild: The Spirit Giggles Within is a stunning retrospective of a career that has spanned nearly four decades. Featuring more than 150 of the Plains Cree artist’s mixed-media works, this sumptuous collection showcases the bold swaths of colour and subtle textures of Littlechild’s work. Littlechild has never shied away from political or social themes. His paintings blaze with strong emotions ranging from anger to compassion, humour to spiritualism.

One of Canada's most evocative modern painters, Cree artist Dale Auger was a gifted interpreter of First Nations culture, using the cross-cultural medium of art to portray scenes from the everyday to the sacred and dissemble stereotypes about Indigenous peoples. Medicine Paint is a collection of Auger's best work, reproduced in glorious full colour and reflecting the evolution of the artist's distinctive style. Including a revealing look back at his life and professional development, the book is a stunning tribute to the master Aboriginal artist.

This is the story of a rebellious girl from British Columbia who travelled the world in pursuit of her calling only to find her true inspiration in the Canadian landscape she’d left behind. Both a prolific painter and an accomplished writer, Carr was more comfortable in the raw wilderness than in the tea rooms of London, and more at home with her unique pets than with the people around her. Despite numerous setbacks and disappointments, she persevered to become the West Coast’s most celebrated artist—and a Canadian icon.

Edward S. Curtis Above the Medicine Line is both an introduction to the Seattle-based photographer and a tribute to a true visionary. While Curtis’s photographs will long be his legacy, his own story is likewise compelling. Curtis built his first camera at 12 and developed that interest into a large Seattle photo studio by the age of 30. Then, on an expedition to Alaska in 1899, Curtis was exposed to First Nations cultures in a way that affected him profoundly. First Nations people had been decimated due to the diseases and aggressions of white settlers.

Ted Grant, the undisputed father of Canadian photojournalism, has made a career out of being in the right place at the right time. Over his sixty years in the business, he has immortalized some of the greatest events in history and caught some of the world’s most famous and elusive subjects in rare moments of unaffected humanity.