National Network for Equitable Library Service

All I Have Learned Is Where I Have Been, Joe Fiorito's second collection, establishes him as the preeminent chronicler of people in extremis. Drawing on the precison and unsentimentality that have become hallmarks of his poetry, Fiorito creates uncompromising mini-narratives about addiction, failed rehabs, incarceration, demeaning jobs, and homelessness; much of it derived from nearly two decades spent as a newspaper columnist covering daily life on Toronto's streets.

Complicated histories that parents pass on to their children.

A bold experiment in autobiography, Lost Family: A Memoir is a book of sonnets that centres around the deaths of John Barton's parents and sister, but also tracks much of the poet's early life in Alberta through to a complicated, restless adulthood. Alongside accounts of love, friends and heroes, intolerance, AIDS, and the struggle for equality, Barton's collection of poems--his first in six years--explores how being queer rewrites and expands society's sense of lineage, both given and chosen.

The Hardness of Matter and Water fulfills a poetic odyssey Quebecois poet Pierre Nepveu began over four decades ago.

The Outer Wards, Sadiqa de Meijer's new collection, explores questions of maternal love and duty--and the powerlessness that comes with the disruption of that role through illness. "I was awake. / The hour was wrong," de Meijer writes, and her poems track, in visceral and tender detail, the distraction, exhaustion, exhilaration, and fear of child-rearing through crisis. For de Meijer, the experience was also a crisis of language, and the struggle to find new terms for her state.

East and West, Laura Ritland's astonishing debut, is a book of visions. These are roving poems drawn to defamiliarizing points of view, and are exquisitely attentive to the way the world exceeds our senses ("Cloud deduced cloud / after cloud and cloud.") Beckoningly tender, lucid and intelligent, elegaic without being maudlin, East and West explores what Ritland calls the "middle ground" of childhood, family, diaspora, and migration, and how new cultural ideas can disrupt traditional perspectives.

With a title derived from John A. Macdonald's moniker for the Métis, The Pemmican Eaters explores Marilyn Dumont's sense of history as the dynamic present. Combining free verse and metered poems, her latest collection aims to recreate a palpable sense of the Riel Resistance period and evoke the geographical, linguistic/cultural, and political situation of Batoche during this time through the eyes of those who experienced the battles, as well as through the eyes of Gabriel and Madeleine Dumont and Louis Riel.

Vivek Shraya's debut collection of poetry is a bold and timely interrogation of skin - its origins, functions, and limitations. Poems that range in style from starkly concrete to limber break down the barriers that prevent understanding of what it means to be racialized. Shraya paints the face of everyday racism with words, rendering it visible, tangible and undeniable. Vivek Shraya is a writer, musician, and filmmaker whose previous books include God Loves Hair and She of the Mountains. She lives in Toronto.

“Childhood Thoughts and Water" is a collection of Beat Poetry, Spoken Word, Performance Art and Lyrical Verse. This is a work which journeys into the memories and events of an Urban Indigenous warrior’s struggles to reconnect with a language and culture that is seemingly always almost out of reach.

This poetry collection creatively reveals the beautiful and bitter essences of the world from a distinctive Indigenous female voice. Speaking from her unique Mohawk perspective, the poet unapologetically sings words of wisdom and cultural confidence. By using this creative foundation to unite distinctive communities, she expresses raw emotion throughout her journey toward inner peace from a uniquely Indigenous point of view.