National Network for Equitable Library Service

Winner of the Trillium Book Award for Poetry Nominated for the Griffin Poetry Prize and the Gerald Lampert Award. With cameos by jackalopes, Glenn Gould, homemade spaceships and Carl Linnaeus, these poems are remarkable for their technical agility and their restless inventiveness. There's an elegance here that matches Dodds' impulse to challenge the reader with fresh metaphor and astonishing phrasing; the formal ambitions of many of the poems in Crabwise to the Hounds are balanced by an inclination towards wordplay and a bright musicality.

something like wait for mein the braille of scarstonight can i suggest a little punctuationcircle half-moon vertical line of astonishmenta pause that transformslight and breath into language and threshold of fire Even as vowels tremble in danger and worldly destruction repeats itself on the horizon, Ardour reminds us that the silence pulsing within us is also a language of connection.

As apt to channel the confessionalism of Anne Sexton as the red-in-tooth-and-claw nature poetry of Ted Hughes, Patrick Warner's voice ranges freely from the colloquial to the baroque. Over the past fifteen years, by harboring and honoring such fraught tensions. In Octopus we have him at his best.

The poems in this collection originated as a response to Elmore Leonard's "Ten Rules of Writing" and metamorphosed into poetic responses to quotations and epigraphs on a variety of subjects.

Witness, I Am is divided into three gripping sections of new poetry from one of Canada's most recognized poets. The first part of the book, "Dangerous Sound," contains contemporary themed poems about identity and belonging, undone and rendered into modern sound poetry. "Muskrat Woman," the middle part of the book, is a breathtaking epic poem that considers the issue of missing and murdered indigenous women through the reimagining and retelling of a sacred Cree creation story.

The Duende of Tetherball fearlessly ransacks the scrutinizing role of the past on the present; the interactions and accountabilities of ourselves and other species; the challenges and pleasures of getting older and forever striving to balance our most cherished and often incomprehensible relationships both with the world and each other. Bowling strives to account for and address our human need to resolve the tension between personal freedom and a world burdened by increasing homogenization and centralized control by adopting an industry of personal fortitude and thoughtful redress.

If I Were In A Cage I'd Reach Out For You is a collection that travels through both time and place, liminally occupying the chasm between Canadiana and Americana mythologies. These poems dwell in surreal pockets of the everyday warped landscapes of modern cities and flood into the murky basin of the intimate. Amidst the comings and goings, there's a sincere desire to connect to others, an essential need to reach out, to redraft the narratives that make kinship radical and near.

Digsite draws on Nicholson's experience working in the Alberta oil sands and arboreal forest, taking an archaeological lens to its subject, and in this way, reimagines tens of thousands of years of human existence. These poems grow from a schism between the current place of living and the ones in which we are pulled back to, in particular, the places we no longer occupy. Nicholson's language draws on his archaeological and fieldwork background as he burrows and grinds the places we have lost, consistently underpinned by the grief that must accompany such a fervent exploration.

What do you get when you cross Lao Tzu and an application for a university teaching application' What do you get when you give W. G. Sebald and Clarice Lispector the ability to speak from the afterlife' What happens if a girl is stopped at a red light for an entire year' In on the Great Joke is a palace of hybridity, where film structure informs poetry, poetry alters the essay, the essay recalibrates the joke. Broadbent has lent her ear to the dead, the living, the voiceless, to give us the punchline of what it means to be intellectually alive.

bronchia think form a bombsight think periosteum singing particle falconry workpiece two lowcut hills seeking what stone is for body is herd alliterations Night & Ox is a long poem working its interruptions to a degree where it's broken by the will to live. A poem that invokes expansive loneliness, where the poet's emotional response is to endure. A crushed line of astral forms and anatomy in perpetual remove; it is a poem that nurtures vulnerability: some soft-footed embryo sounds against language's viscera.