National Network for Equitable Library Service

Who has the power to narrate and the power to suppress indigenous narratives? Are indigenous media representations themselves appropriate? What is the role of indigenous media in striking a balance between external interests and local constituencies? Indigenous Screen Cultures in Canada explores these key questions and undertakes a critical examination of the history and role of indigenous media organizations, content, and audiences in Canada and their growing importance in domestic and global movements for information democracy.

Despite the long human history of the Canadian central arctic, there is still little historical writing on the Inuit peoples of this vast region. Although archaeologists and anthropologists have studied ancient and contemporary Inuit societies, the Inuit world in the crucial period from the 16th to the 20th centuries remains largely undescribed and unexplained. In Order to Live Untroubled helps fill this 400-year gap by providing the first, broad, historical survey of the Inuit peoples of the central arctic.

The authors (professors of history and art history at the U. of Regina, Canada) conduct a discourse analysis of how Canada's indigenous peoples have been portrayed in Canadian newspapers from the sale of Hudson's Bay Company lands to Canada in 1869 through to 2009, arguing that the newspapers have been and continue to be steered by the colonial imagery with respect to Canada's indigenous.

These are a collection of 20 stories, dictated in 1941 to Bloomfield's linguistics class, edited from manuscripts now in the National Anthropological Archives at the Smithsonian Institution, and published for the first time. In Ojibwe, with English translations by Bloomfield. Ojibwe-English glossary and other linguistic study aids.

Among the most dynamic Aboriginal peoples in western Canada today are the Ojibwa, who have played an especially vital role in the development of an Aboriginal political voice at both levels of government. Yet, they are relative newcomers to the region, occupying the parkland and prairies only since the end of the 18th century. This work traces the origins of the western Ojibwa, their adaptations to the West, and the ways in which they have coped with the many challenges they faced in the first century of their history in that region, between 1780 and 1870.

From diversity comes strength and wisdom: This was the guiding principle for selecting the articles in this collection. Because there is no single voice, identity, history, or cultural experience that represents the women of the First Nations, a realistic picture will have many facets. Accordingly, the authors in Women of the First Nations include Native and non-Native scholars, feminists, and activists from across Canada." "Their works examine various aspects of Aboriginal women's lives from a variety of theoretical and personal perspectives.

The original people of the Hudson Bay lowlands, often known as the Lowland Cree and known to themselves as Muskekowuck Athinuwick, were among the first Aboriginal peoples in northwestern North America to come into contact with Europeans. This book challenges long-held misconceptions about the Lowland Cree, and illustrates how historians have often misunderstood the role and resourcefulness of Aboriginal peoples during the fur-trade era.

Night Spirits is the story of the Sayisi Dene of northern Manitoba. In their own words, they describe how the Canadian government abruptly relocated them from their ancestral homelands and left them to live in slums on the outskirts of a frontier town. The Sayisi Dene - "the People from the East"--Offer a stark and brutally honest account of their near destruction as a people and their determination to reclaim their lives. It is a dark story, but one that is told in hope.

In this long-awaited book from one of the most recognized and respected scholars in Native Studies today, Emma LaRocque presents a powerful interdisciplinary study of the Native literary response to racist writing in the Canadian historical and literary record from 1850 to 1990. In When the Other is Me, LaRocque brings a metacritical approach to Native writing, situating it as resistance literature within and outside the postcolonial intellectual context.

If portraits could speak, what fascinating stories would they tell? For over two decades, Manitoban artist Gerald Kuehl has travelled to the far-flung corners of Canada to draw out these answers from the last generation of Indigenous Peoples born on the land, and, pencil in hand, to record their likenesses and experiences. These Elders shared their gripping stories with him so that he might share them with the world.