National Network for Equitable Library Service

Beloved Hollywood icon Dick Van Dyke celebrated his ninetieth birthday in December 2015, yet he still keeps busy entertaining America on television, in movies, on the stage, and on social media. So how does he do it? For the first time, Van Dyke shares his secrets and tips on old age.

An unprecedented look into the personal and creative life of the visionary auteur David Lynch, through his own words and those of his closest colleagues, friends, and family, adapted by David Lynch from the print book especially for this audio program. In this unique hybrid of biography and memoir, David Lynch opens up for the first time about a life lived in pursuit of his singular vision, and the many heartaches and struggles he's faced to bring his unorthodox projects to fruition.

This program is read by William Shatner. Star Trek legend and veteran author William Shatner discusses the meaning of life, finding value in work, and living well whatever your age in this fascinating audiobook. "I have always felt," William Shatner says early in his newest memoir, that "like the great comedian George Burns, who lived to 100, I couldn't die as long as I was booked." And Shatner is always booked. Still, a brief health scare in 2016 forced him to take stock.

A deeply textured and compelling biography of comedy giant Mel Brooks, covering his rags-to-riches life and triumphant career in television, films, and theater.

Cubism and futurism were related movements that vied with each other in the economy of renown. Perception, dynamism, and the dynamism of perception—these issues passed back and forth between the two. Cubism and Futurism shows how movement became, in the traditional visual arts, a central factor with the advent of the cinema: gone were the days when an artwork strived merely to lift experience out the realm of change and flow. The cinema at this time was understood as an electric art, akin to X-rays, coloured light, and sonic energy.

This is a collection of writings by the giant of experimental cinema, Stan Brakhage, that shows him in a completely new light, as part of world cinema. For the duration of the 1980s, Brakhage contributed to the Boulder literary magazine Rolling Stock, mostly publishing reports from the Telluride Film Festival. These reports show that Brakhage was keenly interested in world cinema, anxious to meet and dialogue with filmmakers of many different stripes.

Revisioning Europe :The Films of John Berger and Alain Tanner, is among the few existing English-language discussions of the films made by British novelist John Berger and Swiss film director Alain Tanner. It brings to light a political cinema that was unsentimental about the possibilities of revolutionary struggle and unsparing in its critique of the European left, and at the same time optimistic about the ability of radicalism - and radical art - to transform the world.

Theatre as we know it started in Manitoba almost a century and a half ago.

It's spring in Toronto and the Hollywood movie crews are back. This is where art meets commerce full force. Instant communities are created, like summer camps for adults, with the cast and crews working long hours and always under pressure. Over the six weeks of production, the cast and crew lives, loves, hates, wins and loses together on and off the film set. Inspired by the authors' own experiences, Below the Line goes behind the scenes and tells the the stories of on-set romances, ambitions, cynics and even artists.

The Only Film in Town is a memoir about the making of a small-town feature film with heart. When Stuart Cresswell of Simple Films Ltd. decided to make The Only Game in Town in and around Tatamagouche, Nova Scotia, he did not anticipate the ups and the downs he would encounter, including the scrapping of the province's film tax credit. Inspired by his own family, Cresswell recruited young and sometimes inexperienced talent, and he forged ahead. His film is the story of Cormack Vertue, an autistic teenager with a unique ability: his super skill at solitaire.