National Network for Equitable Library Service

Radio made its debut in the early twentieth century, and the world was never the same. The mysterious magic box brought people together as no other communication medium had ever done. In Nothing On but the Radio, author Gil Murray tells how the new household toy put voices and music into millions of homes. In the 1920s, families gathered around the crystal set; in the 1930s, radio comedians helped offset the Depression; in the wartime 1940s, radio kept up morale; in the 1950s and 1960s, its music, news, and information spread knowledge and entertainment.

By the time Amelia Hall died suddenly in December 1984 she had become one of Canada's most respected and well-loved actresses. In this book she has left an incomparable record of her early years in the professional theatre in Canada. In particular, these memoirs chronicle the history of the Canadian Repertory Theatre of Ottawa, one of the first professional repertory theatres in Canada.

Just Mary and Maggie Muggins are names that will arouse memories in those who grew up with CBC radio and television in the 1940s and 1950s. The creator of these and other children’s shows, former Fredericton schoolteacher Mary Grannan, became a radio star when she hit the national airwaves in 1939, her popularity peaking when Maggie Muggins moved to television in 1955. Long before The Friendly Giant and Mr. Dressup appeared, her work helped to shape the legacy of gentle children’s programming on CBC.

John Grierson, founder of both the British documentary film movement and the National Film Board of Canada, was one of the twentieth century’s most influential personalities in film culture. He gave the word "documentary" to the English language.

Born in Quebec, Emma Lajeunesse studied in Europe and in 1869 at the age of 23 launched her opera career in Italy. Almost overnight she became Albani, the world-renowned diva.

The Marks Brothers may well have been the most remarkable theatrical family in Canadian history. A phenomenon on the vaudeville circuit, the seven brothers left the farm and took to the boards and the footlights throughout the latter part of the 19th century and into the 1920s. The brothers from Christie Lake, near Perth in Eastern Ontario, played to an estimated eight million Canadians, as well as to sizeable audiences in the United States.

The Actor's Survival Kit is required reading in Canadian theatre schools and is a constant resource for its many readers across the country. This fifth edition gives actors fresh research from today's experience, new lists of Canada-wide contacts, and input from success stories. It speaks to a new generation of artists, giving them an up-to-date guide to the business of acting. The book addresses a range of new issues: performer websites, video self-production, and sending résumés and networking on the Internet.

Follow four young dancers in their first semester at the Vancouver International Ballet Academy while they work toward careers as professional ballet dancers. Kaitlyn, Taylor, Alexandra, and Julian are all students at the Vancouver International Ballet Academy where ballet and drama dominate everyone’s lives. Kaitlyn was the star at her old school, but the competition at VIBA is fierce and her reputation as a prodigy is threatened. About to turn fifteen years old, Taylor is a bit of a scatterbrain.

Born in Hearne, Saskatchewan, in 1932, Allan Fotheringham has had a distinguished career. Dubbed "Dr. Foth," Fotheringham graduated from the University of British Columbia and has worked for numerous news organizations, including the Vancouver Sun, Southam News, The Financial Post, Sun Media, the Globe and Mail, and most notably as a long-time columnist for Maclean's.His career has taken him to many places on almost every continent as a correspondent and allowed him to meet many renowned personalities, from Robert F.

Mary Pickford’s ambition, passion, innate talent, and savvy business acumen sent her career into the stratosphere and set the blueprint for the modern movie star. Born Gladys Louise Smith in 1892, Pickford was raised in a house on University Avenue in Toronto and began her acting career on the stage. However, her determination led her to the new world of motion pictures, where she not only revolutionized acting method but negotiated her own terms for the highest salary for any actress and complete creative control over her films – unheard of behaviour for a woman of that period.