National Network for Equitable Library Service

In his very first attempt at playwriting, British author G.K. Chesterton knocked it out of the proverbial ballpark with Magic, a drawing-room comedy in which a diverse group of friends and family members gather together to enjoy the entertainment provided by an amateur magician. What ensues is a philosophical free-for-all during which virtually every "ism" under the sun is mercilessly skewered.

Macbeth is Shakespeare's shortest tragedy and one of his best-known plays. Often referred to as an archetypal tale, it warns against lust for power and the betrayal of friends. Shakespeare based the play loosely on a King Macbeth of Scotland. The play is traditionally considered "cursed", and thus many actors refer to it as "The Scottish Play" to avoid naming it.

David Henry Hwang’s beautiful, heartrending play featuring an afterword by the author – winner of a 1988 Tony Award for Best Play and nominated for the 1989 Pulitzer Prize Based on a true story that stunned the world, M. Butterfly opens in the cramped prison cell where diplomat Rene Gallimard is being held captive by the French government—and by his own illusions. In the darkness of his cell he recalls a time when desire seemed to give him wings. A time when Song Liling, the beautiful Chinese diva, touched him with a love as vivid, as seductive—and as elusive—as a butterfly.

One of Shakespeare's early comedies, Love's Labour's Lost follows the travails of the King of Navarre and three of his companions as they make a vow to eschew the attentions of women and devote themselves entirely to scholarship for a period of three years. In a classic case of poor timing, each of the four men soon crosses paths with their soul-mate, and hilarity ensues. Rife with witty word play, critics agree that Love's Labour's Lost is one play that particularly rewards a close reading.

Anyone who's never watched someone die is suffering from a pretty bad case of virginity. Look Back in Anger premiered at the Royal Court Theatre, London, in 1956. 'John Osborne didn't contribute to British theatre: he set off a landmine called Look Back in Anger and blew most of it up.' Alan Sillitoe. 'A story of youthful insecurity inflamed by lack of opportunity and the terrifying, destabilizing force of love . . . Jimmy Porter could fill an opera house with his bellowing hunger for a bigger, better life and a loyal love to share it with.' New York Times.

Eugene O'Neill's autobiographical play Long Day's Journey into Night is regarded as his finest work. First published by Yale University Press in 1956, it won the Pulitzer Prize in 1957 and has since sold more than one million copies. This edition, which includes a new foreword by Harold Bloom, coincides with a new production of the play starring Brian Dennehy, which opens in Chicago in January 2002 and in New York in April.

Richard III belongs to Shakespeare's folio of King Richard plays, and is the longest of his plays after Hamlet. It is classified variously as a tragedy and a history, showing the reign of Richard III in an unflattering light. The play's length springs in part from its reference to the other Richard plays, with which Shakespeare assumed his audience would be familiar. These references and characters are often edited out to create an abridged version when the play is performed for modern audiences.

Set in the First World War, Journey's End concerns a group of British officers on the front line and opens in a dugout in the trenches in France. Raleigh, a new eighteen-year-old officer fresh out of English public school, joins the besieged company of his friend and cricketing hero Stanhope, and finds him dramatically changed ... Laurence Olivier starred as Stanhope in the first performance of Journey's End in 1928; the play was an instant stage success and remains a remarkable anti-war classic.

A classic work of American theatre, based on the Scopes Monkey Trial of 1925, which pitted Clarence Darrow against William Jennings Bryan in defense of a schoolteacher accused of teaching the theory of evolution. The accused was a slight, frightened man who had deliberately broken the law. His trial was a Roman circus. The chief gladiators were two great legal giants of the century. Like two bull elephants locked in mortal combat, they bellowed and roared imprecations and abuse.

"One of the most important plays of our time" -- Howard Taubman, The New York Times. In Vichy France in 1942, eight men and a boy are seized by the collaborationist authorities and made to wait in a building that may be a police station. Some of them are Jews. All of them have something to hide -- if not from the Nazis, then from their fellow detainees and, inevitably, from themselves. For in this claustrophobic antechamber to the death camps, everyone is guilty. And perhaps none more so than those who can walk away alive.