Abstract
Jean Coulthard demonstrated that a Canadian woman could be a successful professional composer, whose music was, and still is, played extensively in concert halls across Canada and internationally. Through her seven-decade career she composed in every genre of traditional classical music: opera, symphonies, concerti, chamber music, keyboard, voice, and choir. Coulthard's story was more than that of artist and teacher. She made a place for herself in a male-dominated university and, as a westerner, she fought for the artists of her community.