National Network for Equitable Library Service

Mehri Yalfani’s stories in The Street of Butterflies feature Iranian women dealing with displacement, cultural change, and struggles for survival and adaptation as immigrants in North America. At the same time, the challenges they face also reveal the racial, gendered and cultural anxieties of these same individuals who carry with them the biases of their country of origin to the norms of the new land. “Soleiman’s Silence,” “Felicia,” “If You Were I,” “Geranium Family,” and “Line,” all portray many dimensions of the migrant’s strive (or the refusal) to build a home, away from home.

After Drowning is set in a small fishing town on the shores of Lake Erie and concerns the volatile fortunes of a fishing family. At one time, Lake Erie was the home of a thriving fishing industry but the sad fortunes of the lake have limited the industry, forcing those who live near it to adapt.

Esa Withrod is a young woman struggling over recent events in her personal life—a failed first relationship and resulting pregnancy—as well as the legacy of her desolate upbringing. Eccentric and enigmatic, Esa’s childhood has prepared her to deal with the world with endurance and resilience, but not with joy. She remains “mystified by kindness” and the friendship offered to her by her employer, Merle, a cartographer, and his partner, Daniel.

Renowned classics professor Roberta Greaves finds her perfect life shattered by her husband's suicide and the huge gambling debts he has left behind. Grief-stricken and angry, Roberta must find a way to pay those debts. Remembering a story by Ovid about intergenerational sex, she decides to write an erotic novel, using a penname because she is worried that her career will suffer if her real identity is discovered. Drama critic John Schubert suspects the truth.

There are many forms of isolation, and Ellie is becoming an expert on them: unloved and ignored as a child in Vienna, up against cultural barriers in Canada, holed up in a cabin in the north. What are the effects of isolation on the brain? Is it loneliness and boredom that makes Ellie take risks and say yes to Vera, her glamorous but deeply disturbed friend? Vera has been abused as a child and is now putting her trust in a charlatan healer. Together they entangle Ellie in a murderous game of fantasy and revenge.

Over the years Trish and Ray have forged a stable family life, despite a rocky beginning almost twenty years earlier — living with their friends on a communal farm that ended badly. Now they are all coming to terms with life in their forties, but Trish has turned angry and insecure. She suddenly finds herself faced with an ailing marriage, a teenaged daughter who would prefer to live with her alcoholic grandmother than at home, and an annoying half sister, Olive, who Trish has been taught to believe is no blood relation.

Robin MacFarland is a somewhat eccentric and highly intelligent journalist for the Home and Garden section of a Toronto paper, who at age fifty-five looks aghast in the mirror and pronounces herself, “Old. Fat. Alcoholic. Alone. Failure.” She resolves to lose weight, quit drinking, and try online dating, although not, perhaps in quite that order. The intrigue begins when Robin chooses to cover a water cooling system conference where she thinks there will be a lot of men. By coincidence, her first online date is with the owner of the water company who is found dead after they have coffee.

The Dead Man is a compelling novel about a woman who is obsessed. Eve, a composer of sacred music and a music therapist, is well aware of the saying, “Physician, heal thyself,” but she just can’t seem to do this. For some unknown reason, she — a sensible, intelligent professional — can’t recover from a brief relationship she had five years ago with a world-famous music critic named Jake. This obsession with Jake is a mystery to Eve’s friends, and also to her.

One Day It Happens is an eclectic collection of short stories by Mary Lou Dickinson, which deal in myriad forms with communication or lack thereof in the lives of the characters. One of the universal factors in human existence is the need to connect with one another. When these characters fail to do so, it is the result of fear, of loneliness, of violence, of impending death. Sometimes they succeed in spite of everything to reach a place of insight and understanding, usually in unexpected ways and to their own surprise.

Why do we keep secrets and why do we confess them? The nine tales in this collection, all told in the first person, are each spun around a well-kept secret, willingly or inadvertently confessed. Sometimes the secrets are at the core of the narrator’s life, other times they appear tangential. Regardless of the magnitude of its burden, the confession finds its way to the reader, through a story told perhaps over a cup of tea, in the pages of a journal or within the intimacy of the narrator’s mind.