National Network for Equitable Library Service

"It's an anthology of writings by black authors from the prairie -- from 19th-century fur traders to avant-garde writers of the 21st."--

This book recreates one corner of rural Canada, the southern Ontario township of East Flamborough, during the First World War. Drawing from rich narrative sources, this work uses the local to understand the national, revealing what rural people were like a century ago - how they saw the world, what they valued, and how they lived their lives.

"This book is a collection of essays in which various authors examine the extent to which children's rights have been incorporated into their respective areas of Canadian policy and law. The authors deduce, from what is thereby revealed about the status of children in this country, that much remains to be done before children achieve full recognition and citizenship."--

Author Sonja Boon's heritage is complicated. Although she has lived in Canada for more than thirty years, she was born in the UK to a Surinamese mother and a Dutch father. Boon's family history spans five continents: Europe, Africa, Southeast Asia, South America, and North America. Despite her complex and multi-layered background, she has often omitted her full heritage, replying "I'm Dutch-Canadian" to anyone who asks about her identity. An invitation to join a family tree project inspired a journey to the heart of the histories that have shaped her identity.

"This collection of scholarly essays on contemporary Québécois cinema centres on an image of shared suffering that unites the nation through a search for home. Since the defeat of the pro-sovereigntists in the 1995 Quebec referendum, the loss of a nationalistic vision in the province has led many Québécois to use their ancestral origins to inject meaning into their everyday lives.

"It's a book of conversations -- interviews with nine Indigenous writers who work in Canada. All have been influenced by colonization and are surrounded by discourses of Indigenization, reconciliation, appropriation, and representation, and all are swept up in the growth of Indigenous publishing and literary studies. The conversations centre on writers' concerns, critiques, and craft, and how they navigate the challenge of storying their communities in politically charged terrain.

"It's the life story of the eminent Canadian author Timothy Findley (1930-2002), who was instrumental in the development of Canadian literature of the 1970s and 80s. Author Sherrill Grace provides insight into Findley's life and struggles through an exploration of his private journals and his relationships with family, his beloved partner, Bill Whitehead, and his friends.

"Mnidoo Bemaasing Bemaadiziwin is a twenty-five year research and community based book. It brings forward Indigenous thought, history, and acts of resistance as viewed through the survivors of residential school who through certain aspects of their young lives were able to persevere, and share their life experiences, teaching us about them, and their understanding of their own resiliency. Through their voices, we hear how they found strength within their own life force energy, or mnidoo bemaasing bemaadiziwin, and survived and thrived in spite of aggressive assimilation.

Storying Violence explores the 2018 murder of Colten Boushie and the subsequent trial of Gerald Stanley. Through an analysis of relevant socio-political narratives in the prairies and scholarship on settler colonialism, the authors argue that Boushie?s death and Stanley?s acquittal were not isolated incidents but are yet another manifestation of the crisis-ridden relationships between Indigenous and non-Indigenous peoples in Saskatchewan, ones that evidence the impossibility of finding justice for Indigenous peoples in settler colonial contexts. We situate Indigenous peoples?

"A collection of literary horror essays. Combining cultural criticism and memoir, the book is a fun, accessible, spooky, and affecting reflection on the virtues of fear, frailty, and insignificance."--