National Network for Equitable Library Service

Poems about British Columbia, the author's relationship to the land, reconciliation, nature.

Half wisecracking tour guide and half flirtatious trick, the poems in Shut Up Slow Down Let Go Breathe examine how we respond to overwork, anxiety, and overstimulation. McCann’s third collection speaks to a world that is too busy and too anxious, delivering the material with zero reverence and with loads of self-deprecating, disarming, observational—and sometimes catty—humour. Inviting readers to be his “bandmates / on life’s slutty bus tour,” Shut Up Slow Down Let Go Breathe marks a fresh new direction in Marcus McCann’s poetics.

In this compelling collection of poems and art, the colour of living is red with excitement, pain, sunsets, blood, and tropical flowers. Along the way, the poet paints herself into the works of Frida Kahlo, Vincent Van Gogh, Claude Monet and Maud Lewis. Diane Driedger confronts the body in two different contexts: through her participation in the Trinidad and Tobago Carnival and through her experience of undergoing breast cancer treatment and of being chronically ill. This is poetry that celebrates the body in all its varied forms.

Hiraeth is about women supporting and lending strength and clarity to other women so they know that moving forward is always possible-- and always necessary. It documents a journey of struggle that pertains to a dark point in Canadian history that few talk about and of which even fewer seem aware. Poems speak to the 1960's "scoop up" of children and how this affected the lives of (one or thousands) of First Nations and Métis girls-- girls who later grew to be women with questions, women with wounds, women who felt like they had no place to call home.

In Approaching Fire, Michelle Porter embarks on a quest to find her great-grandfather, the Métis fiddler and performer Léon Robert Goulet. Through musicology, jigs and reels, poetry, photographs, and the ecology of fire, Porter invests biography with the power of reflective ingenuity, creating a portrait which expands beyond documentation into a private realm where truth meets metaphor.

Originally produced for the stage by Artistic Fraud of Newfoundland and For the Love of Learning, transVersing features some of Newfoundland's most vibrant and necessary trans-youth voices. Gathering the work of Violet Drake, Daze Jefferies, Fionn Shea, Perin Squires, Taylor Stocks, and Dane Woodland, and including the dramatic text by Berni Stapleton and Sharon King-Campbell, transVersing is where Shakespeare meets slam poetry and the fiddle meets soapbox rant. These are the creative and courageous voices charting our course to understanding and social justice for all.

Deluxe redesign of a seminal book by Canada’s former Parliamentary Poet Laureate. Includes new material. On the occasion of the press’s 40th anniversary, Brick Books is proud to present the second of six new editions of classic books from our back catalogue. This new edition of The Grey Islands features a foreword by scholar Adrian Fowler and a detailed and insightful look back at the book and the time of its inception by Steffler himself. Featuring a new cover and design by the renowned typographer Robert Bringhurst.

A pitch-perfect debutand a call to act in the service of Earth through radiant attention. Humankind, at present, has breached floodgates that have only been breached before in ancient stories of angry gods, or so far back on geologic and biological timelines as to seem more past than past.

Marlene Cookshaw, in her first collection of poetry in more than a decade, invites her readers to partake in a long-anticipated harvest that comes in many forms. Whether she's haying June-high grasses, relishing a neighbour's gift of new potatoes with her husband, logging fragments of poetry she's read in a notebook, or honouring the deaths of her parents, Cookshaw works an open field.

In Modern and Normal, Karen Solie takes her on-the-road fascination with being between places to a new level, exploring conceptual and perceptual states of in-betweenness - for example, between what is perceived and what is actually there, or between and among the patterns the world repeats from the cell to the structure of the universe -- to find points of intersection. Solie finds a middle ground between the discourses of the hard sciences and the intuitive, a realm of weird overlap wherein lie questions of probability, fate, determinism, chance, luck, and faith.