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Moon on Wild Grasses, with illustrations by the author, shows the unsuspected scope of a very concise, precise poetic form. Keith Garebian's haiku encompass a wide range of themes in a vividly elegant style that combines the pictorial with the passionate, erotic or reflective. Nature, empirical experience, the self, love, death, and grief are captured with a perceptive, sensitive eye.

When Chava Rosenfarb arrived in Montreal in February 1950, she was already a published poet with one acclaimed volume, Di balade fun nekhtikn vald (The Ballad of Yesterday? Forest) to her credit. She was also a Holocaust survivor who, after being liberated from Bergen Belsen in 1945 had crossed the border illegally into Belgium, where she lived with her mother, sister and husband, all Holocaust survivors. In 1950 Rosenfarb? Montreal publisher, Harry Hershman, who had just published a Canadian edition of Di balade fun nekhtikn vald sponsored the entire group to come to Canada.

This bilingual collection of poetry is a selection of award-winning Franco-Ontarian poet Robert Dickson's various collections of poetry, including his Governor-General Award winning Humains paysages en temps de paix relative (Human Landscapes in Times of Relative Peace).

Poets find inspiration in all manner of human experience, from the comical to the sombre. The creative processes by which they grow their poems to fruition are as diverse, and often as quirky, as their subjects. But what all poets have in common is their captivation by the work and lives of other poets, living and dead. Poet to Poet is a unique anthology that honours, and probes, this peculiar enchantment.

In his first collection of poetry, Max Layton takes the post apocalypse to new heights. Satirical in places, full of longing and remorse in others, the poems (each beginning with "When the rapture comes ...") bring together memories of family, trips to fantasylands, and outrageous humour. Life, in other words, in all its varied colours and shapes -- despite the shadow of when the rapture comes.

To read Danielle Fournier is to plunge into the centre of a woman’s heart and body – a heart that continues to beat, to search and to hope spurred on by a sensual, desirable – and desiring – body. Not only physical and emotional, Fournier’s pursuits are also geographical and linguistic as she travels across continents and languages encountering bleak landscapes brightened by desire and feminine kinship. Despite the journey’s internal ruptures and emotional turmoil, we reach joy and the conclusion that We come from the same light.

Translated by award-winning author Antonio D’Alfonso, this collection presents four books by prolific Quebec writer Roger Des Roches. Considered by many scholars and critics to be one of the founders of modernity in Quebec, Des Roches’ writings span more than four decades and have acted as a source of inspiration for an entire generation of Quebec writers.

Filtered through insomnia and distress signals, Amphetamine Heart pumps out an atonal pulse over flashes of lowered inhibitions. Channelling punk and heavy metal influences, this poetry collection’s soundtrack is set to a backdrop of boozecans and broken glass. Written over a three-year period, these poems are linked by discomfort and decay, frequently capturing the urgency of paranoia and self-harm. Amphetamine Heart is about excess and the imbalance that it brings. It’s about people who don’t remember how they got home at the end of the night.

The poems in Bending the Continuum are slave to no genre. Science-fiction, alternative realities, and time are fluid. Form, voice and space in this collection borrow from multiple canons. Dane’s first book is equal parts Can-lit, Harlem Renaissance, the Caribbean oral tradition known as Griotism, Roddenberry, hip-hop and dark-humour.

In her first collection of poems, Suzanne Robertson meditates on the nature of intimacy; the connective tissue that binds stranger to stranger, human to animal, soul to landscape, heart to mind. Inspired by the Buddhist paramitas– actions that spark a spiritual sojourn, the poems attempt to both transcend and stay grounded in a conventional universe.