National Network for Equitable Library Service

The adventures of Sir Arthur Conan Doyle, creator of the legendary Sherlock Holmes, come to life in this inspiring picture book biography. What if you wrote a story about a detective, and he became the most famous detective ever? Wouldn’t that be wonderful? Or . . . would it?

An emerging Lakota scholar's critical interrogation of settler-colonial nations that re-centers Oceti Sakowin (Dakota) women as the tribe's traditional culture keepers and bearers. We Are the Stars is a literary recovery project that seeks to reconstruct a genealogy of Oceti Sakowin (Dakota) literature, and study in-depth the linkages between settler colonialism, literature, nationalism, and gender via analysis of tribal and settler colonial narratives about women and land.

Contemporary Indigenous theatre in Canada is just over thirty years old, if one begins counting from the premier of Linda Griffiths and Maria Campbell's Jessica in Saskatoon and the establishment of Native Earth Performing Arts in Toronto. Since those contemporaneous events in 1982, the Canadian community of Indigenous theatre artists has grown and inspired one another.

Art about the climate crisis that calls for justice and systemic change while raising funds to help tackle the problem. We are in a climate emergency. The polar bears are starving, Australia is burning. Climate anxiety--like sea levels--is rising to unprecedented levels. In response to this, poet and editor Kathryn Mockler created a website where writers and artists could post creative works that respond to this crisis. Watch Your Head curates the best poems, stories, essays, and images related to our environmental crisis.

The Last Word investigates the debased art of eulogy. Through insightful, surprisingly playful readings of famous eulogies (from a scene in Love Actually to Jacques Derrida's heart-rending essays on the deaths of his peers), Cooper argues against the socially sanctioned desire to avoid thinking about death that results in clichéd memorials, honouring neither the living nor the dead.

Avant Desire moves through Brossard's body of work with a playful attentiveness to its ongoing lines of inquiry. Like her work, this reader moves beyond conventional textual material to include ephemera, interviews, marginalia, lectures, and more. Just as Brossard foregrounds collaboration, this book includes new translations alongside canonical ones and intertextual and responsive work from a variety of artist translators at various stages of their careers.

Translators connect languages and landscapes, sparking conversations that enlarge our imagination. In Canada, where translation has had an especially important role to play, the nature of the connections has changed. These wide-ranging essays, by Canada's most prominent translators, chart a journey that begins with the sharp divides of English and French in the 1970s and then confronts the much more complex explosion of identities today.

"Simon Roy first saw The Shining when he was ten years old. Roy encountered the movie by chance while idly flipping through the channels on the television, but one scene in particular in which the hotel's chef speaks telepathically to young Danny Torrence left an indelible mark upon him: "The doubling of Chef Hallorann's voice created in me such a powerful unease that I can still feel it, intact, thirty years later. ...

Writing is, and always will be, an act defined by failure. The best plan is to just get used to it. Failure is a topic discussed in every creative writing department in the world, but this is the book every beginning writer should have on their shelf to prepare them—which is to say, to console them in their misery.

Approached by an ecumenical society representing many faiths, from Judeo-Christians to fellow members of First Nations, Harold R. Johnson agreed to host a group who wanted to hear him speak about the power of storytelling. This book is the outcome of that gathering. In The Power of Story, Johnson explains the role of storytelling in every aspect of human life, from personal identity to history and the social contracts that structure our societies, and illustrates how we can direct its potential to re-create and reform not only our own lives, but the life we share.