National Network for Equitable Library Service

Let Them Eat Chaos, Kate Tempest's new long poem written for live performance and heard on the album release of the same name, is both a powerful sermon and a moving play for voices. Seven neighbors inhabit the same London street, but are all unknown to each other. The clock freezes in the small hours, and one by one we see directly into their lives: lives that are damaged, disenfranchised, lonely, broken, addicted, and all, apparently, without hope. Then a great storm breaks over London, and brings them out into the night to face each other-and their own last chance to connect.

For decades, Steven Curtis Chapman's music and message have brought hope and inspiration to millions around the world. Now, for the first time, Steven openly shares the experiences that have shaped him, his faith, and his music in a life that has included incredible highs and faith-shaking lows.

For the past fifty years, Rolling Stone has been a leading voice in journalism, cultural criticism, and-above all-music. This landmark book documents the magazine's rise to prominence as the voice of rock and roll and a leading showcase for era-defining photography. From the 1960s to the present day, the book offers a decade-by-decade exploration of American music and history. Interviews with rock legends-Bob Dylan, Mick Jagger, Kurt Cobain, Bruce Springsteen, and more-appear alongside iconic photographs by Baron Wolman, Annie Leibovitz, Mark Seliger, and other leading image-makers.

Brought to you by the subscription club of the same name, Vinyl Me, Please: 100 Albums You Need In Your Collection is a vibrant visual guide to curating must-have records for any music lover's shelf. Celebrating artists as varied and influential as Bikini Kill, Aretha Franklin, Wilco, and beyond, each entry includes an album's artwork, a short essay from a contributing music writer, and further suggestions to help you expand your taste and build your collection. This sleek compendium even includes recipes for possible cocktail pairings to complete your listening experience.

The story of "Ol' Blue Eyes" continues with Sinatra: The Chairman, picking up the day after Frank claimed his Academy Award in 1954 and had reestablished himself as the top recording artist in music.

One autumn evening, shortly after ending a ten-year stint as a pop-music columnist for the Montreal Gazette, Eric Siblin attended a concert at Toronto's Royal Conservatory of Music. There, something unlikely happened: he fell in love with a piece of classical music -- Bach's cello suites.

The year was 2000. The alternative music scene had all but died, and pre-packaged pop stars had filled the vacuum. But in a basement apartment in the heart of downtown Toronto, two musicians were forming a creative partnership that would revive the mass appeal of indie music and forever change how we think of a band.

"[The Groundwork Guides] are excellent books, mandatory for school libraries and the increasing body of young people prepared to take ownership of the situations and problems previous generations have left them." -- Globe and Mail Hip hop is arguably the predominant global youth subculture of this generation. In this book Dalton Higgins takes vivid snapshots of the hip hop scenes in Europe, North America, Asia, Africa and more.

Don Messer was more than a household name in Canada — he was part of family life, the background music in Canadian kitchens — first on radio, and then on television. Private and unassuming, Don was everyman, and yet someone singular and special: a devoted family man, a rigid Calvinist, band diplomat, lover of Kentucky Fried Chicken, and a musical prodigy who from the age of seven knew and played directly to an audience . . . an audience that eventually protested in unprecedented numbers on Parliament Hill upon CBC’s sudden cancellation of his show, Don Messer’s Jubilee.

A startling new portrait of Gould, including never-before-seen material. Glenn Gould’s astonishing recordings deliver that unmistakable jolt of genius to each generation newly discovering the great Canadian pianist. With the support of the Glenn Gould Estate, Peter Goddard draws on his own interviews with Gould and on new, and in some cases overlooked, sources to present a freshly revealing portrait of Gould’s unsettled life, his radical decision to quit concertizing, his career as a radio innovator, and his deep response to the Canadian environment.