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In Degrees of Nakedness, Lisa Moore's first story collection, the joys and distresses of love course through modern-day Newfoundland like an electric current. Lisa Moore's stories are bright, emotionally engaging, tangible. She marks out the precious moments of her characters' lives against deceptively commonplace backdrops -- a St. John's hospital cafeteria lit only by the lights in the snack machines; a half-built house "like a rib cage around a lungful of sky" -- and the results linger long in the memory.

The Withdrawal Method is a remarkably inventive, assured, and smart collection from one of our best young writers, one who pairs emotional depth with great technical skill. These extraordinary stories peel back layers to reveal the strange, the wondrous, the unexpected.

Lisa Moore's Open makes you believe three things unequivocally: that St. John's is the centre of the universe, that these stories are about absolutely everything, that the only certainty in life comes from the accumulation of moments which refuse to be contained. Love, mistakes, loss -- the fear of all of these, the joy of all of these.

The A List edition of one of the major achievements in recent Quebec literature — Roch Carrier’s La Guerre trilogy is a vital, moving, and assured portrait of life in Quebec. This volume includes: La Guerre, Yes Sir! A surrealist fable set in rural Quebec during WWI. Canadian Literature greeted its first appearance in these terms: “It is the French-Canadian writer Roch Carrier who comes closest to the significance, power, and artistry of Faulkner at his best . . .

A. L. Kennedy's remarkable new collection of stories shows us exactly what becomes of the broken-hearted. She reveals the sadness, violence, hurt, and terror, but also the redemption of love, and she does so with enormous human compassion, wild leaps of humour, and the brilliantly original linguistic skill that distinguishes her as one of the world's finest writers. Always attuned to the moment of epiphany, these twelve stories are profound, intimate observations of men and women whose lives ache with possibility.

Originally published in 1967, Dave Godfrey’s debut collection features stories about hunting — in Florida, in Africa, and in northern Ontario. They are about the interplay of gun and subway, decoy and stock market, guide and draft dodger. But they are more than just stories about hunting. Death Goes Better with Coca-Cola is a powerful example of the idiosyncratic imagination of a writer who broke new ground in fiction.

"I can remember in detail being hit by my first story one January morning in 1958." So begins literary legend Diana Athill in the preface to Midsummer Night in the Workhouse, a long-overdue collection of her short fiction, stories which were originally published in the 1950s to the 1970s. In unsentimental though often touching prose, Athill’s young women anticipate, enjoy, or just miss out on brief sexual encounters with men met on trains, at parties -- just about anywhere they can.

Shortlisted for the Governor General's Literary Award: Fiction and selected as a Globe and Mail Top 100 Book Juliet Friesen is ten years old when her family moves to Nicaragua. It is 1984, the height of Nicaragua's post-revolutionary war, and the peace-activist Friesens have come to protest American involvement. In the midst of this tumult, Juliet's family lives outside of the boundaries of ordinary life. They've escaped, and the ordinary rules don't apply.

"Wabusk Outside the Wire / Nanook Looking In" is Joseph Boyden's contribution to Northwords, a cross-platform project that takes urban Canadian writers to some of the world's most extreme environments.

As entertaining as they are insightful, the stories in The Path of Most Resistance are anchored by the concept of passive aggression in our everyday lives: ordinary people who are quietly, desperately, and indirectly trying to impose their will on the uncaring world around them.From a woman who compulsively shops for luggage in order to sublimate her desire for a divorce to a senior citizen who tries to force his family to visit by refusing to eat, the characters in this collection try to change their lives through oblique resistance.