Croak is a frog-and-girl opera in three parts, played out like a YouTube mashup of mid-century cartoons, all set to a contemporary pop song. It parades, mutilates and reacquaints Kermit the Frog with Girl 00010111, Michigan J. with Aristophanes, and biblical plagues with caged canaries in a vaudevillian play of time, culture, gender and narrative. Combining vivisection and classical literature, empirical observation and philosophical speculations, Sampirisi's grotesque characters splash and sparkle before moving toward their inevitable narrative end. In conversation with Samuel Beckett's Words & Music, Croak presents a negotiation between the doom and gloom of a species in crisis and the many empirical markers we attach to such creatures. Sampirisi reminds us that we are all porous in the mud of language.
Croak is a frog-and-girl opera in three parts, played out like a YouTube mashup of mid-century cartoons, all set to a contemporary pop song. It parades, mutilates and reacquaints Kermit the Frog with Girl 00010111, Michigan J. with Aristophanes, and biblical plagues with caged canaries in a vaudevillian play of time, culture, gender and narrative. Combining vivisection and classical literature, empirical observation and philosophical speculations, Sampirisi's grotesque characters splash and sparkle before moving toward their inevitable narrative end. In conversation with Samuel Beckett's Words & Music, Croak presents a negotiation between the doom and gloom of a species in crisis and the many empirical markers we attach to such creatures. Sampirisi reminds us that we are all porous in the mud of language.